All the Colors of the Dark
by Chris Whitaker
Contents
Chapter 90
Overview
Saint devotes her weekends, school years, and emotional energy to an increasingly methodical search for Grace, using library work, public records, and hundreds of calls to follow the faintest leads left by Patch’s painting. Her bond with Patch persists through his obsessive late-night calls, showing that both of them remain trapped by the past even as time moves on.
The chapter also shows what Saint sacrifices: while she excels academically, she withdraws from ordinary teenage life and watches Patch pair off with Misty. Jimmy Walters’s prom invitation and Norma’s urging make Saint’s isolation explicit, underscoring how the search has reshaped her future and her feelings.
Summary
On weekends, Saint works at the public library in Panora and uses the quiet hours to continue her private search for Grace. While handling loans, orders, and the card system, Saint writes to coroners across many jurisdictions and calls hospital receptionists within a thousand miles of Eli Aaron’s house. She keeps pursuing the girl from Patch’s painting despite her own doubts and Norma’s insistence that Patch cannot truly know Grace’s face.
Saint also learns that Patch is conducting his own search by contacting the parents of missing teenage girls and carrying notes in a red folder on his trips to the St. Francois mines. For a year, Saint combs through public and state records, concentrating on death certificates and widening her search by assuming Grace might be older than Patch believes. That decision leads Saint into professional licensing records, after which she makes hundreds of calls to possible matches and their families, eventually reducing her approach to one blunt question: whether they know a boy named Patch.
As the search drags on, Saint briefly considers requesting federal records but gives up because she has too little identifying information. She also stops watching Dr. Tooms after a year, deciding that whatever he concealed, it was not Grace. Patch remains a constant presence in Saint’s life through late-night phone calls and three tapes of rambling messages, some frantic and confused, others tender and full of sensory memories of Grace in captivity. Saint muffles the phone so Norma will not hear, recognizing that Patch’s calls are irrational but also her remaining connection to him.
At school, Saint channels herself into achievement and rises to the top of her class while disengaging from talk about college and prom. She changes her appearance, ignores fashion, and watches Misty stand out socially. One morning, Jimmy Walters arrives with roses and a bouquet to ask Saint to prom. Norma encourages Saint to give Jimmy a chance, reminds Saint that Patch is going with Misty, and adds that Sammy will be showing his paintings the following weekend, forcing Saint to confront how far her life has diverged from her peers and from the future she once imagined.
Who Appears
- SaintWorks at the Panora library, relentlessly searches for Grace, and withdraws from ordinary teenage life.
- PatchContinues searching for Grace and missing girls, calling Saint at night with obsessive recorded memories.
- NormaQuestions Patch’s painting, tracks local developments, and pushes Saint to accept Jimmy’s prom invitation.
- GraceAbsent but central figure whom Saint and Patch keep trying to identify and find.
- MistyNow openly close with Patch and serves as a painful contrast to Saint’s isolation.
- Jimmy WaltersAppears with roses and a bouquet to ask Saint to prom.
- SammyMentioned as preparing to show his paintings next weekend.
- Dr. ToomsFormer suspect Saint finally stops watching, deciding he does not have Grace.