Cover of Incidents Around the House

Incidents Around the House

by Malerman, Josh


Genre
Horror, Paranormal
Year
2024
Pages
385
Contents

Overview

Incidents Around the House follows Bela, a young girl whose ordinary family life is slowly overwhelmed by a presence she calls Other Mommy. What begins as a secret, unsettling figure in Bela’s closet grows into something more intrusive, appearing in new parts of the house and pushing itself into the family’s daily routines. The story stays close to Bela’s perspective, so breakfasts, doctor visits, playdates, and bedtime all become charged with dread.

As Bela’s parents, Ursula and Russ, move from dismissal to fear, the haunting exposes cracks that were already running through the household. The central conflict is not only whether the family can understand what Other Mommy is, but whether they can protect Bela while holding themselves together. The book blends domestic horror with themes of innocence, secrecy, guilt, trust, and the frightening gap between what a child knows and what adults are willing to believe.

Plot Summary ⚠️ Spoilers

Bela lives with her parents, Ursula and Russ, in a house already marked by tension, secrecy, and strain. At first the family’s problems seem ordinary: rushed breakfasts, work stress, and the emotional distance between Ursula and Russ. But Bela’s private life is dominated by a figure she calls Other Mommy, a presence that used to stay in her closet and feel almost friendly. Now it appears more openly, follows Bela from room to room, and keeps asking the same horrifying question: whether it can go into Bela’s heart. Bela refuses, but she also hides the truth from her parents because she fears Other Mommy will hurt them if they become involved.

As Other Mommy grows bolder, Bela withdraws from friends and from playing outside. Russ notices the change and tries to keep her near him while he works, but he cannot see what Bela sees. The entity moves beyond the closet, peers through ceilings and doorways, and appears downstairs for the first time. Bela’s fear spikes at Chaps Park when she tries to explain the situation to her friend Deb. In the playground structure, Bela hears Deb’s voice asking Other Mommy’s familiar question, then realizes the real Deb is elsewhere. Bela falls while trying to flee. At the doctor’s office she finally admits that Other Mommy frightened her, shocking Ursula and Russ, who say Bela has not used that name in years.

The family tries to continue normally, even holding a party, but Bela’s private terror starts breaking into public life. Russ introduces her to Lois Anthony, a guest interested in the supernatural, while another guest, Marsha Dickman, suddenly screams after seeing a tall, dark, hairy figure in the living room. Bela identifies it as Other Mommy. That night Russ stays in Bela’s room, first rationalizing the opening closet doors and then physically blocking them when they open again. Bela’s questions about reincarnation make him realize the threat may involve more than a ghost story, and Bela herself understands more clearly that Other Mommy wants a body swap: Bela would be sent where the entity comes from while Other Mommy takes her life.

Ursula soon questions Bela more seriously, especially after Marsha is badly shaken, but the adults still waver between belief and denial. After a zoo trip and more escalating panic, Ursula empties Bela’s closet and strips the room of hiding places. That attempt at control fails completely when Bela wakes to what seems to be Ursula sitting on her bed, confessing infidelity, resentment, and selfishness. The figure then asks Bela to let her in and give her life. When the real Ursula appears in the doorway, she sees Other Mommy on the bed for herself. Terrified, Ursula grabs Bela and flees the house. From that point on, the haunting is no longer only Bela’s claim; Ursula knows it is real.

The family seeks refuge first with Amanda and Dan, but fear follows them there. Russ searches the house and finds nothing, then questions Bela about whether a real person has abused or threatened her, showing how desperately the adults want an explanation they can understand. When Bela reveals that Other Mommy has appeared not only in the house but also at the park and elsewhere, Ursula realizes the entity is following Bela rather than haunting only one location. They go to Grandma Ruth’s house, where Ruth quickly sees through their lies and forces the adults to confront what Bela has been enduring. Bela admits that Other Mommy has appeared many times, speaks to her, and repeatedly asks to enter her heart. Ruth argues they need supernatural help, not just police or denial.

Lois Anthony becomes their first real adviser. Meeting them at a restaurant after the police fail to find any intruder, she concludes from Bela’s story that Other Mommy is not merely a ghost but an entity attempting possession. She warns Bela never to say yes. Lois later organizes a séance-like gathering with her occult-minded friends, but the effort collapses when Kyle claims Other Mommy has answered him and says it left Bela a “present.” Ursula then arrives with terrible news: Frank Doherty is dead, found in a closet as if he had been sleeping there. The family begins to fear that Other Mommy is no longer only threatening Bela but may already be killing people. Their flight becomes frantic and increasingly hopeless: they hide in Frank’s empty house, flee again when Bela senses the entity there, sleep in a car at a gas station, are rejected by priests at a church, and lose even Evelyn’s shelter after Other Mommy appears in her bathroom and hallway, proving it follows Bela wherever she goes.

Back home, Ursula and Russ turn the house into a fortress. They install alarms, cameras, and motion sensors and bring in two trained guard dogs, Kami and Kamael. The defenses do not restore normal life; they only formalize the family’s siege mentality. Bela feels guilty, wondering whether saying yes to Other Mommy would stop everyone’s suffering. The danger escalates when Bela wakes upstairs and encounters what seems to be Kelvin, the former babysitter, offering to “be” Bela for a day so the family can be repaired. Bela escapes and Russ confirms the real Kelvin is elsewhere, proving the entity can imitate familiar people with terrifying precision.

Desperate, Russ brings in Brian, an outside specialist who treats the haunting like a practical infestation rather than a religious mystery. He inspects the house, seems to gather evidence, and briefly gives the family hope. That hope collapses when Other Mommy manifests in the dining room. Instead of protecting anyone, Brian becomes thrilled by the sight of a real entity, moves toward it in fascination, touches it, and then abandons the family once the creature vanishes. Realizing he only wanted proof, Ursula and Russ finally decide they must fight the entity themselves. They arm themselves with knives and prepare to attack the next time it appears. But their first attempt fails when Lois returns at the worst possible moment and interrupts the confrontation with a darker theory: Other Mommy wants Bela because of her innocence, and ordinary force will not drive it away.

Lois persuades the family to leave for Lake Michigan, arguing that distance and open shoreline might help and that Bela may need to lose the innocence that makes her vulnerable. On the beach, Lois questions Bela and learns how intimate the relationship with Other Mommy once felt. Ursula then tells the truth she has hidden for years: Russ is not Bela’s biological father. Ursula was married to Douglas Cain, had an affair with Russ, became pregnant while sleeping with both men, and later learned Bela was Douglas’s child. Douglas abandoned Ursula and the baby, while Russ chose to raise Bela as his own. Lois believes this revelation destroys Bela’s innocence, but the plan fails. Bela still senses Other Mommy on the beach and lies to the adults, telling them it is gone. The next day Bela, furious and betrayed, runs into the lake after seeing the entity in the wind and water. Ursula, Russ, and Lois pull her out. Lois leaves after Ursula strikes her, and the family returns home shattered.

On the drive back, Ursula spirals into guilt, interpreting the haunting as punishment for her selfishness, infidelity, and failures as a mother. Bela, meanwhile, senses movement and smell from the car’s trunk, suggesting Other Mommy has come back with them. At home, Grandma Ruth gently advises Bela not to let her hurt over Russ harden permanently inside her. Bela starts to soften, but the house is still unsafe. Late that night, Bela works on a puzzle with what appears to be Ruth. The conversation gradually turns wrong, echoing Other Mommy’s language about houses and hearts. Bela finally realizes the figure is not Ruth and hides in the foyer closet, only to discover the real Grandma Ruth lying there. False cries from upstairs lure Ursula and Russ into a trap. Bela later finds them collapsed and unresponsive in her bedroom.

Other Mommy steps from Bela’s closet and asks once more if it can go into Bela’s heart. Overwhelmed by grief, terror, loneliness, and longing for the life she has just lost, Bela finally says yes. The answer completes the exchange that has been threatened throughout the book: Other Mommy takes Bela’s place in the world, while Bela is sent into the vast, lonely place the entity came from. The novel ends with Bela exiled from her home and body, understanding too late what consent has allowed.

Characters

  • Bela
    The child narrator whose perspective shapes the entire story. She is the first and longest target of Other Mommy, and her fear, secrecy, loneliness, and conflicting attachment to the entity drive the plot.
  • Other Mommy
    The malevolent entity haunting Bela, first through the closet and later far beyond the house. It manipulates by imitating familiar people, cultivating intimacy, and repeatedly asking to enter Bela’s heart so it can take her place.
  • Ursula
    Bela’s mother, whose stress, guilt, and hidden personal history deepen the family’s instability as the haunting worsens. Once she sees Other Mommy herself, she shifts from skepticism to desperate protectiveness and finally joins Russ in trying to fight it.
  • Russ
    Bela’s father, who begins as the more reassuring and practical parent but is gradually worn down by the family’s ordeal. He tries puzzles, stories, security systems, experts, and finally violence, all in an effort to protect Bela.
  • Grandma Ruth
    Ursula’s mother, who becomes the family’s strongest outside support once the haunting can no longer be denied. She pushes the adults to face the truth, seeks practical and supernatural help, and later helps Bela process the family’s painful secrets.
  • Lois Anthony
    A family acquaintance interested in the supernatural who becomes the first person to give the haunting a clear theory. She identifies Other Mommy as an entity attempting possession and later pushes the Lake Michigan plan built around breaking Bela’s innocence.
  • Brian
    An outside specialist Russ calls when the family has run out of ordinary options. He briefly seems like a practical answer, but his fascination with witnessing the entity matters more to him than the family’s safety.
  • Kelvin
    Bela’s babysitter, remembered as part of the family’s earlier normal life. He becomes especially important because Other Mommy later imitates his voice and appearance in a direct attempt to trick Bela into surrender.
  • Deb
    Bela’s friend, whose playground scene marks a major escalation in the haunting. Bela’s attempt to explain Other Mommy to her leads to the realization that the entity can appear outside the house and mimic other people.
  • Dr. Smith
    Bela’s doctor, who treats her after the playground fall and becomes one of the first outsiders to hear the name Other Mommy. His careful questioning pushes the haunting from private family fear into a more public setting.
  • Amanda
    One of the friends who shelters Bela’s family after Ursula sees Other Mommy. Her fear of the situation helps show how the haunting strains and narrows the family’s support network.
  • Dan
    Amanda’s partner, who also shelters the family briefly before becoming frightened for his household. His belief that he may have seen Ursula upstairs adds to the sense that the entity can imitate people and invade any refuge.
  • Evelyn
    Grandma Ruth’s friend in Goblin who offers the family temporary shelter after they have been turned away elsewhere. Her direct sight of Other Mommy in the bathroom proves again that the threat follows Bela and cannot be escaped by changing houses.
  • Marsha Dickman
    A party guest who suddenly sees a dark, terrifying figure in the living room. Her reaction helps convince the adults that Bela’s stories may describe something real.
  • Frank Doherty
    A man connected to Ursula whose death in a closet becomes a turning point in the family’s fear. His fate makes Bela and the adults suspect that Other Mommy may be capable of real violence, not just haunting.
  • Douglas Cain
    Ursula’s former husband and Bela’s biological father. His abandonment after learning of Ursula’s affair with Russ becomes the painful truth revealed to Bela at Lake Michigan.
  • Kyle
    One of Lois Anthony’s occult associates during the failed ritual. He claims Other Mommy answered him, warns Bela about a "present," and becomes linked to the family’s fear after Frank Doherty’s death.
  • Kami
    One of the trained guard dogs brought in to help defend the house. Kami represents the family’s shift from denial to full defensive lockdown, though even that protection proves limited.
  • Kamael
    The second trained guard dog stationed with Kami in the fortified house. Like Kami, Kamael often reacts to unseen movement, reinforcing the family’s sense that the danger is present even when they cannot see it.

Themes

Josh Malerman’s Incidents Around the House turns a haunted-house premise into something more intimate and disturbing: a story about the invasion of the self. Other Mommy’s repeated question—“Can I go into your heart?”—is not just a spooky refrain but the novel’s central metaphor. What she wants is not merely entry into Bela’s room or house, but possession, consent, and replacement. That idea steadily clarifies across the chapters, from the early closet appearances to Bela’s dawning understanding that “reincarnation” means switching places, and finally to the devastating ending, where Bela says yes and loses her life to the thing that has been asking all along.

A second major theme is the corruption of innocence. Bela’s vulnerability is tied to her childhood openness: she once laughs with Other Mommy, lets her comb her hair, and experiences the entity first as comfort rather than danger. Adults repeatedly frame Bela’s innocence as both precious and perilous. Lois’s horrifying theory—that the family must strip Bela of innocence to make her less appealing—pushes this theme to its cruel extreme, culminating in Ursula’s confession about Bela’s biological father on the beach. Yet the novel suggests that knowledge does not truly protect; revelation wounds Bela, isolates her further, and does not banish the threat.

Malerman also explores home as both refuge and trap. Closets, bathrooms, stairwells, and bedrooms become unstable spaces where safety collapses. Even when the family flees—to friends’ houses, Grandma Ruth’s, a motel, Evelyn’s, the beach—the haunting follows. The book insists that “home” is not just a building but an emotional structure, and that this structure is already cracked by marital tension, secrecy, and guilt. Mommy’s affair, Daddo’s helpless optimism, and Bela’s fear of her parents separating all make the supernatural horror feel like an expression of domestic instability rather than a separate force.

  • Manipulation through familiarity: Other Mommy imitates Mommy, Kelvin, and even Grandma Ruth, showing how evil enters through recognizable forms.
  • The failure of adult systems: doctors, police, priests, psychics, and experts all prove inadequate, leaving Bela exposed.
  • Loneliness as danger: Bela’s isolation makes her susceptible to a false “friendship” that becomes predatory.

In the end, the novel’s deepest terror is that what asks to be loved may in fact be what destroys you.

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