Here One Moment
by Liane Moriarty
Contents
Chapter 19
Overview
The older woman narrates her experience at Hobart Airport before the flight, revealing that the departure lounge felt overwhelmed with deeply personal signs and resemblances—passengers who looked like people from her past, objects identical to ones from her memories, and sensory echoes of her childhood. The chapter provides the first extended glimpse into her inner world, suggesting she was in an altered, possibly dissociative state before making her predictions. She mentions being distressed about making Ethan cry and hints at unresolved rage about a mysterious errand she was undertaking.
Summary
Chapter 19 returns to the perspective of the older woman who made predictions on the flight. She reflects on having made the injured young man (Ethan Chang) cry, which distresses her. She recalls standing behind him at Hobart Airport security, admiring his one-handed dexterity, and being startled by his resemblance to Henry, a boy who once sold tickets at the Hornsby Picture Theatre in the 1960s. She and her childhood friend Ivy used to attend Saturday matinees there, and she was always too shy to say Henry's name aloud.
After passing through security, the woman began seeing what felt like deeply personal signs and resemblances everywhere in the departure lounge. A couple buying coffee looked exactly like her friends Bert and Jill—the man a white-haired polar bear in a blue polo, the small dark-haired woman doing a balancing exercise just as Jill would have. A man's kangaroo-patterned shirt paired with a nearby Scottish accent held private significance for her. She noticed an elderly couple with Apple Watches, a woman who could have been Korean, a woman at the bar who might have been drinking a Brandy Alexander, an incredibly tall young man, a little boy with a camouflage backpack—each detail resonating with her personal history.
The most striking sign was a bride and groom passing through the terminal in wedding attire. The bride's dress appeared identical to the woman's own wedding dress—high neck, empire waist, bishop sleeves, chiffon and lace. Most unsettlingly, the hem bore six pale yellow pollen dots arranged in a circle, matching stains made by Ivy's lily bouquet at the woman's own wedding. Her mother had warned that lilies were funeral flowers and that the stains would never come out. Then the woman spotted a younger woman emerging from the bookshop who looked just like Ivy and wore an artificial lily in her hair.
The resemblances continued relentlessly: a man carrying what appeared to be her father's fishing rod tube with her father's worried expression, a woman who looked like her childhood piano teacher drumming her fingers and nearly bursting into tears after knocking over a drink, and a man with Elvis Presley sideburns wearing a moss-green Ralph Lauren polo—details that held deeply personal meaning for her. Even closing her eyes didn't help, as she began smelling her mother's Avon perfume, her Auntie Pat's Pall Mall cigarettes, hearing her father's laughter, and tasting her grandmother's scones.
The woman tried to ground herself, telling herself she was being silly and imagining things, that this was just an ordinary departure lounge. She felt confused, fearful, lonely, and filled with rage about an unspecified errand she had to complete. She thought a cup of tea and a Monte Carlo biscuit might have solved everything.
Who Appears
- The older woman (narrator)The prediction-making passenger narrates her overwhelmingly personal, sign-filled experience in the Hobart Airport departure lounge.
- Ethan ChangThe injured young man whose resemblance to Henry from the woman's past caught her attention at security; she is distressed she made him cry.
- HenryA boy from the woman's childhood who sold tickets at the Hornsby Picture Theatre in the 1960s; recalled via Ethan's resemblance.
- IvyThe woman's childhood friend who attended Saturday matinees with her and was her bridesmaid; recalled repeatedly through lookalikes and symbols.