Alone with Poppy Taylor’s diary, Olivia studies entries from May and June 1975. Poppy alludes to a secret on film that Vincent did not want her to see, escalating tensions with cryptic shorthand tying diary entries to specific clips. By late May, Poppy noted a fight between Vincent and Danny, suspected someone as the father of Lydia’s baby, and concluded on June 4 that one of the brothers would kill the other. On June 10 she wrote that she felt sick, had lost proof, and feared Danny would kill her if she told.

Driven by these clues, Olivia searches the guesthouse boxes for Poppy’s film reels but finds none. She asks Vincent about the home movies; he claims he never saw them, that police were interested but came up empty, and theorizes Poppy threw the films away after filming something she should not have. Olivia asks about Poppy’s window hiding place, which Vincent says was too small for reels.

Alma arrives with news of a family emergency and instructs Olivia to handle Vincent’s dinner and medications with precise steps. Olivia follows the plan, then sits with Vincent as he brings up an old treasure hunt he believes was a happy memory: clues hidden in Olivia’s favorite book leading to a 3 p.m. pickup.

Olivia recalls the event in detail. As a child she decoded the message and approached a parked Mercedes expecting Vincent. Instead, she found Melinda behind the wheel; Vincent had sent his assistant to take Olivia shopping while he tended to work and his own life. When Olivia confronts Vincent with this truth, he struggles, first denying, then minimizing it as practical.

Alma returns, reporting her nephew’s fractured wrist and confirming Vincent ate and took his meds. As Olivia leaves, Vincent says he is glad she remembers, underscoring his selective recollection and the gulf between his self-mythology and Olivia’s lived experience.