Chapter 20
Contains spoilersOverview
Olivia digitized ten newly discovered Super 8 reels shot by Poppy in 1975 and began reviewing them. The footage contradicted Vincent’s accounts, showing warm family moments, school vandalism aftermath, Vincent’s secretive behavior, and a crucial scene revealing Vincent—not Danny—burying a bloodied bundle. This discovery upended Olivia’s trust in Vincent’s narrative and provided primary source evidence to reframe events before the murders.
Summary
Olivia found ten Super 8 reels labeled by Poppy, spanning March through June 1975, and recognized them as primary sources that could cut through biased recollections. She took the reels to a Ventura shop to be converted to digital, arranging for same-day links. Returning to Vincent’s house, she avoided working with him, still reeling from the threatening closet message in Poppy’s room and the lies surrounding his ownership of the childhood home.
When the links arrived, Olivia began with March #2. The color footage showed the Taylor home and neighborhood in 1975: teenage Vincent and young Lydia on the couch, their mother gently shooing Poppy away from filming, and Danny playful rather than hostile when surprised by the camera. The reel captured everyday family scenes, including Poppy’s ERA-themed bedroom and glimpses of Vincent clowning with Lydia, contradicting the darker picture Olivia had been told about Danny’s temperament.
Switching to a May reel, Olivia saw a janitor removing an obscenity from the high school gym wall, then a burned PE shed, and nighttime sequences of Vincent sneaking across the backyard into nearby trees. In one clip, Vincent confronted the camera angrily and grabbed it, showing a side of him that diverged from his current framing of past events.
Using Poppy’s diary as an index, Olivia matched entries to clips. A March party scene (March #1, Clip #3) showed bonfire revelry and an unidentified older man cleaning up, which Olivia flagged for later identification, given Poppy’s note that Vincent did not want her to see something on that film. Another diary entry from May 6 referenced a rumor that Lydia had been pregnant and then was not, reinforcing undercurrents around Lydia.
Following the May 10 diary note (“I don’t even know who he is anymore,” May #1, Clip #7), Olivia watched a wooded scene that initially mirrored Vincent’s story about catching Danny burying a neighbor’s cat. As the camera zoomed, the digger’s face became clear: it was Vincent himself, burying a bloodied bundle. This directly contradicted Vincent’s account and suggested he had appropriated or inverted the memory, or concealed his own actions.
Who Appears
- Olivia Taylor Dumont
narrator/ghostwriter; digitizes and reviews Poppy’s films, matches clips to diary, discovers evidence that Vincent was burying the cat.
- Vincent Taylor
subject of the memoir; appears in 1975 footage sneaking out, confronting the camera, and burying a bloodied bundle; current-day presence presses Olivia to work.
- Poppy Taylor
Olivia’s aunt; behind the camera in all reels; her diary guides Olivia; films family, school incidents, party, and Vincent’s secretive behavior.
- Danny Taylor
Vincent’s brother; appears in 1975 footage relaxed and playful when filmed in his room, contrary to stories of aggression.
- Lydia (Olivia’s mother)
appears in 1975 footage with Vincent; diary rumor references a pregnancy and subsequent loss.
- Jack
Olivia’s contact/confidant; encourages next steps and asks to be told if the film reveals anything major.
- Taylor parents (Olivia’s grandparents)
appear in 1975 footage: grandmother puzzles and smiles; grandfather implied via lawn care, briefly seen smoking on porch.
- Unidentified man at party
new; seen cleaning up during March bonfire footage; potential relevance unknown.