The Devils
by Joe Abercrombie
Contents
Overview
The Devils follows Brother Eduardo Diaz, an anxious churchman who expects a respectable promotion and instead finds himself in charge of the Chapel of the Holy Expediency, a secret arm of the Church that uses condemned monsters, heretics, and other compromised servants for impossible missions. At the same time, a street thief named Alex is swept into imperial politics when she is claimed as the missing heir to Troy’s Serpent Throne.
To get Alex safely across a violent, divided world, Diaz must travel with a dangerous escort that includes a necromancer, a vampire, an elf, a werewolf, a scarred veteran, and other deeply unreliable allies. Their journey carries them through ambushes, betrayals, religious power struggles, and the ruins of older magical orders, while every side tries to seize or kill the girl at the center of the claim.
The book mixes brutal action, dark comedy, and political intrigue with questions about faith, hypocrisy, power, identity, and redemption. It is a story about whether damaged people can do real good, and whether holy causes remain holy when they depend on devils to survive.
Plot Summary ⚠️ Spoilers
Brother Eduardo Diaz arrives in the Holy City expecting advancement, but Cardinal Zizka instead appoints him vicar of the secret Chapel of the Holy Expediency. Beneath a beautiful church, Diaz discovers his true flock: imprisoned weapons the Church uses when ordinary holiness is not enough. They include the necromancer Balthazar Sham Ivam Draxi, the elf Sunny, the vampire Baron Rikard, and other monsters kept under tight control. At the same time, a thief called Alex is caught by debt collectors and unexpectedly claimed by Duke Michael of Nicaea as Princess Alexia, the long-lost heir to Troy. An oracle ritual and church certification make her claim official, and Child Pope Benedicta I binds Diaz’s dreadful company to escort Alex to Troy and see her crowned.
The mission begins badly. On the road from the Holy City, the party is attacked at an inn by forces serving Eudoxia’s sons, including monstrous hybrids created through forbidden experiments. Balthazar is forced by the papal binding to save Alex, the veteran Jakob of Thorn is apparently killed and then rises again because he cannot die, and the werewolf Vigga is released from a locked wagon to slaughter the attackers. Duke Michael survives but is gravely injured, and he warns that the party’s secret route may already be compromised. With no safe return to the Holy City, Alex chooses to keep going toward Troy.
Traveling in disguise among pilgrims, the group becomes less a collection of prisoners and guards than a tense, ugly family. Alex begins bonding with Sunny, who is lonely, practical, and repeatedly saves her life. Diaz, out of his depth with monsters and politics alike, learns that his bookkeeping and library skills may matter as much as bravery. Vigga, violent and unstable, develops a dangerous intimacy with Diaz. Their pilgrimage is betrayed by Bishop Apollonia of Acci, who tries to sell Alex for reward and relics, but Rikard uses overwhelming vampire glamour to wipe the confrontation from the pilgrims’ minds. In Venice, the crime lord Frigo agrees to provide passage to Troy only if the Chapel first robs a cursed illusionist’s house. Inside that house, Balthazar secretly tries to use the magic there to break Benedicta’s binding. Alex realizes his betrayal, forces Diaz to command him to stop, and the trapped companions emerge shaken by visions that expose their guilt and self-hatred. They recover Frigo’s white box and earn a ship east.
The sea voyage ends in another disaster when Duke Constans ambushes them with a war galley, hybrid sea-creatures, and a phrenomancer. Alex and Sunny climb into the rigging to escape the boarders. Vigga is unleashed in wolf form. Below decks, Balthazar and Baptiste kill the mind-controlling sorcerer. On the burning deck, Jakob cannot beat Constans fairly, so he turns defeat into a mutual killing by trapping the duke on his own blade. The ships sink, scattering the group across the coast.
The broken survivors struggle separately through a countryside already torn by war. Diaz and Vigga follow Alex’s scent; Balthazar and Baptiste use the standing stones near Niksic to try to track her; Jakob and Rikard become entangled in a border conflict between Count Radosav and Countess Jovanka. Jakob prevents a battle by insisting on negotiation, while Balthazar’s summoning of the demon Shaxep proves a startling point: even a Duke of Hell cannot break Benedicta’s binding. Alex and Sunny, meanwhile, are hunted by Duke Sabbas and his werewolf tracker. Their bond deepens into romance as they flee through a burning town and later reunite with Diaz and Vigga. At the ruined abbey of Saint Demetrius, Sabbas finally corners them. Sunny sabotages his men, Balthazar raises the dead, Jakob rides in, and the fight ends when Balthazar, prompted by Diaz, rips up an ancient plague pit beneath the abbey and drags Sabbas and his followers into it. The victory costs dearly: the group is exhausted, maimed, and more entangled with one another than ever.
When they finally reach Troy, Alex is received in triumph. Duke Michael, Lady Severa, and Grand Patriarch Methodius XIII publicly recognize her as heir, and Troy’s grandeur convinces even the skeptics that the throne is now within reach. Diaz uses the imperial archives to destroy the nobles’ legal challenges one by one, giving Alex real leverage. Yet success creates a new trap: to stabilize the empire, she is expected to marry her surviving cousin Arcadius. Under this pressure, Alex confesses privately to Sunny that she is not the real Princess Alexia at all. She says the true Alexia died years earlier and that she stole the coin, the name, and the identity because she could not bear being nothing. Sunny still urges her to remain and do what good she can. Alex is crowned, which fulfills the Chapel’s binding and forces the devils to leave Troy at once.
That apparent ending collapses immediately. On the wedding night, Arcadius and Alex begin to reach a pragmatic understanding, only for two of Alex’s handmaidens to reveal themselves as magical assassins and murder him. Alex raises Troy’s blue warning flame, and the departing Chapel turns back. Rikard reveals that the binding never compelled him at all because, as a vampire without a soul, it had no hold over him; he returns by choice. Inside the palace, Alex discovers a letter proving that Cardinal Zizka and Duke Michael used her as bait and intended Michael to profit from Arcadius’s death. Michael drops all pretense and tries to kill her. At the same time, Severa is exposed as another enemy. In the Athenaeum, Balthazar learns why: Empress Eudoxia did not truly die but transferred her soul into Severa’s body, preserving herself through the very experiments that ruined Troy.
The palace coup becomes a series of desperate parallel battles. Jakob duels Michael before the Serpent Throne. Rikard saves Alex and Sunny on the Pharos but is horribly burned destroying the murderous handmaidens. Balthazar frees Vigga from Severa’s magical control and fights his way through guards and failed monsters from Eudoxia’s laboratories. Vigga destroys one abomination only to lose herself afterward. Michael finally confesses that he poisoned Alex’s mother and set Troy’s civil war in motion for power. Before he can kill Alex, Jakob rises again from apparent death and drags Michael off the tower into the sea. Balthazar refuses Eudoxia’s offer to join her, and she escapes alive. The cost is terrible: Baptiste dies trying to stop wolf-mad Vigga, and the Chapel is left battered and grieving.
In the aftermath, Alex confronts Zizka with proof of betrayal, but Zizka admits everything as political expediency and still demands control of the devils. Alex keeps the throne, begins bargaining for support between East and West, and makes Diaz her chaplain. Jakob survives and refuses Alex’s offer to become Troy’s war leader, believing that war always turns him back into a monster. Sunny and Alex part in sorrow when Zizka takes Sunny, Vigga, Balthazar, and Rikard back into Church custody. Diaz remains in Troy, where he and Alex try to imagine a better rule built from compromised victories. On the return voyage, Balthazar realizes that service still means chains and begins plotting again, this time armed with the secret of Eudoxia’s survival. In the final scene, Cardinal Zizka summons Mother Beckert and the mysterious Caruso to the Holy City, signaling that the Thirteenth Chapel is already being refilled for whatever comes next.
Characters
- AlexA street thief thrust into imperial politics when she is presented as Princess Alexia, heir to Troy. Her journey from survivor and impostor to ruling Empress drives the novel, even after she privately admits that she stole the dead princess’s identity.
- Brother Eduardo DiazAn ambitious monk who expects a safe church career and instead becomes vicar of the Chapel of the Holy Expediency. His faith, cowardice, administrative talent, and growing moral courage all shape the mission to get Alex to Troy and keep her there.
- Jakob of ThornA scarred veteran assigned to guide and protect Diaz, and the group’s most dependable battlefield leader. His inability to die makes him invaluable in crisis, but the book also shows how deeply war and old crusades have damaged him.
- Balthazar Sham Ivam DraxiA vain, brilliant necromancer bound to the mission against his will. He repeatedly tries to break Pope Benedicta’s control, yet his magic also saves the party at crucial moments and helps expose Troy’s deepest secrets.
- SunnyAn elf scout whose stealth, sharp senses, and loyalty repeatedly keep Alex alive. She becomes Alex’s closest emotional bond on the journey, even as her place within both the Chapel and the wider human world remains painfully uncertain.
- Vigga UllasdottrA werewolf kept as one of the Chapel’s living weapons. Her immense violence often saves the group, but her struggle to control the wolf inside her becomes one of the book’s most tragic threads.
- BaptisteA scarred, irreverent operative of the Chapel who handles locks, knives, contacts, and practical survival. She often cuts through other people’s illusions and remains one of the party’s most useful and grounded members.
- Baron RikardAn ancient vampire whose charm, glamour, and predatory calm make him both terrifying and indispensable. He often acts amused and detached, but his choices repeatedly alter the mission’s outcome.
- Cardinal ZizkaThe ruthless church strategist who creates the mission, justifies using monsters in God’s service, and repeatedly treats people as expendable pieces. She remains a power over both Diaz and Alex even after Troy is won.
- Benedicta IThe child Pope whose deceptively simple binding spell compels the Chapel to escort Alex to Troy. Her authority becomes central to the novel’s questions about whether divine power truly stands behind the Church.
- Duke Michael of NicaeaThe nobleman who first presents Alex as Troy’s lost heir and guides her toward the throne. His later betrayal reveals how much of the mission was shaped by ambition, dynastic revenge, and political manipulation.
- Lady SeveraThe Warden of the Imperial Chamber, initially one of Alex’s most reassuring allies in Troy. Her trusted role becomes central to the late coup when it is revealed that Empress Eudoxia has taken over her body.
- Empress EudoxiaThe dead usurper whose murder of Alexia’s mother, black sorcery, and monstrous experiments shape the entire plot from a distance. Late in the story, her survival through soul-transfer turns her from legacy into active threat.
- Duke ArcadiusEudoxia’s surviving son and a politically valuable rival whom Alex is pushed to marry. He briefly offers the possibility of a workable alliance before he is murdered in the palace coup.
- Duke SabbasOne of Eudoxia’s sons and one of Alex’s most relentless hunters on land. His pursuit drives the later countryside chase and ends in the catastrophic battle at Saint Demetrius.
- Duke ConstansAnother of Eudoxia’s sons, who ambushes the party at sea with hybrid soldiers and sorcery. His attack destroys the group’s ship and scatters the mission across the coast.
- Duke MarcianThe first of Eudoxia’s sons to strike directly, leading the inn assault that nearly wipes the mission out. He exposes Alex’s identity to the whole party and kills Jakob before Jakob rises again.
- Bishop Apollonia of AcciThe leader of the pilgrims with whom the Chapel hides on the road to Venice. Her decision to sell Alex for reward and church advancement proves that betrayal can come from respectable piety as easily as from open villains.
- FrigoA Venetian baker, crime lord, and information broker who agrees to help the party only after sending them on the illusionist-house job. His scenes underline how much the mission depends on bargains with dangerous outsiders.
- Grand Patriarch Methodius XIIIThe Eastern church leader whose public recognition helps legitimize Alex’s claim in Troy. Later, his willingness to side with expedience over Alex shows how fragile that support really is.
Themes
Joe Abercrombie’s The Devils is a novel obsessed with the distance between what people are, what they pretend to be, and what the world needs them to become. Its central theme is identity as performance. Alex begins as a thief who treats princesshood as a useful fraud, yet chapter by chapter she learns history, posture, language, and power until the performance starts producing a real ruler. That tension never fully disappears: even after her triumphal reception in Troy and coronation, she still knows the story of “Princess Alexia” is unstable. Abercrombie suggests that rulership itself is theatrical, but not therefore meaningless; a role can become a truth if it is inhabited well enough.
A second major theme is the corruption of institutions by expediency. Cardinal Zizka’s “thirteenth virtue” frames the whole book: the Church claims holiness while maintaining a hidden chapel of monsters, necromancers, vampires, and weapons. Again and again, sacred and political systems justify cruelty as necessity—whether in the Holy City’s cynical relic culture, Michael’s conspiracy, Eudoxia’s experiments, or the final revelation that Alex herself was used as bait. The book never denies that terrible choices may be necessary, but it relentlessly asks who gets to define necessity, and what is lost when power speaks the language of righteousness.
Just as important is the theme of monstrosity and humanity. The “devils” are outwardly damned figures—Vigga the werewolf, Rikard the vampire, Balthazar the necromancer, Sunny the elf—but the novel repeatedly contrasts their rough loyalties with the hypocrisy of bishops, nobles, and courtiers. Diaz’s arc captures this best: he first recoils from the Chapel’s prisoners, then gradually realizes that the real moral divide is not human versus monster, but honesty versus self-deception. Vigga’s struggle to be “clean inside,” Rikard’s weary self-knowledge, Sunny’s loneliness, and even Balthazar’s flickers of humility all deepen that idea.
- Faith and doubt run throughout the novel: Diaz’s prayers become real only under terror, while Balthazar’s failed rebellion against Benedicta’s binding forces even skeptics to reconsider the divine.
- Chosen fellowship matters more than blood: Alex’s royal relatives mostly hunt or betray her, while the Chapel becomes her true, if deeply unstable, family.
- History repeats through pride and appetite: crusades, schisms, dynastic feuds, and magical atrocity all show civilizations trapped by old hungers.
In the end, The Devils argues that goodness does not belong to the pure. It emerges, messily and temporarily, from damaged people who choose—often against their nature, and against the systems above them—to protect one another anyway.