Chapter I

Contains spoilers

Overview

In 1709 Venice, Sabine has grown into a household with Matteo and his mortal lover, Alessandro, but Alessandro ages and dies after refusing immortality. Matteo collapses into profound grief until, months later, Sabine returns to find a new fledgling, Giovanni, installed in Alessandro’s former studio. Matteo appears restored in demeanor, while Giovanni is hungry, erratic, and chafes at Matteo’s rules, setting a new and uneasy dynamic.

Summary

Years passed in Venice as Sabine, Matteo, and Alessandro formed a domestic life in the palazzo. Sabine occasionally traveled to Tuscany and Rome for freedom but discovered she now preferred the prolonged tension of hunts learned under Matteo. Inside the palazzo, time was marked by accumulating paintings and Alessandro’s gradual aging, while Matteo and Sabine remained unchanged.

As Alessandro’s health failed—first chest pain, then rattling lungs—Matteo begged him to accept the turning, but Alessandro insisted life must end and refused immortality. Sabine, angered by the looming loss and by Matteo’s “folly,” considered forcing the change but did not. She was away the night Alessandro died; she returned to a house saturated with Matteo’s grief and could not bring herself to view the body. After two days, a physician removed Alessandro’s corpse, and he was buried in his family plot.

In the weeks that followed, Matteo became a withdrawn specter, abandoning bedrooms for the salon, shuttering the house, and refusing food and diversions. Carnevale passed without games as Sabine, frustrated, tried to provoke him, finally unleashing cruel truths about his choice to love a mortal and calling him by his old name, Mateusz. Shaken by the depth of his pain, Sabine left for the winter in Verona.

Returning in February, Sabine found the palazzo restored to order and followed sounds into Alessandro’s former studio, where she was shocked to see a young man resembling Alessandro in youth. The illusion broke as she recognized him as a stranger—Giovanni—newly turned, exuberant, and hungry. Matteo appeared composed and elegant again, his mind closed to Sabine, and introduced Giovanni.

Giovanni invited Sabine out to celebrate, presuming her presence would end Matteo’s sulking. Matteo fussed over Giovanni’s appearance, dressing him for the cold to avoid drawing notice, an act that echoed his tenderness with Alessandro yet felt hollow and performative. Giovanni bristled at Matteo’s rules and complained of constant hunger, revealing his inexperience.

Outside in the courtyard, Giovanni—insisting on Gio—linked arms with Sabine, calling the rules boring and hoping Sabine would be more entertaining. Sabine and Matteo exchanged an almost-amused look, signaling a fragile, shifting balance among the three as a new chapter in their household began.

Who Appears

  • Sabine
    narrator and vampire; grieves Alessandro’s decline, rebukes Matteo’s wallowing, leaves for Verona, and returns to find Giovanni installed.
  • Matteo (Don Accardi, Mateusz)
    elder vampire; begs Alessandro to accept turning, then collapses into grief after Alessandro’s death; later reemerges composed with a new fledgling.
  • Alessandro Contarini
    Matteo’s mortal lover and painter; ages, refuses immortality, dies at fifty-nine, and is buried; his studio later hosts Giovanni.
  • Giovanni (Gio)
    new vampire, newly introduced this chapter; resembles Alessandro but is a distinct person; impulsive, ravenous, resists rules, and is presented by Matteo.
  • Physician
    minor presence; removes Alessandro’s corpse for burial.
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