Cover of The Book of Lost Hours

The Book of Lost Hours

by Hayley Gelfuso


Genre
Fantasy, Historical Fiction, Young Adult, Romance
Year
2025
Pages
400
Contents

Overview

The Book of Lost Hours follows two young women separated by decades but bound to the same impossible place: a vast, silent “time space” where human lives are shelved as books of memory—and where those memories can be preserved, stolen, or burned to rewrite what the world believes is true. In 1938 Germany, eleven-year-old Lisavet Levy is hidden there during a violent attack, only to find herself trapped among whispering stacks and watched by mysterious caretakers. In 1965 Boston, teenage Amelia Duquesne inherits an unusual watch after her uncle Ernest’s death and is coerced into the U.S. government’s timekeeping program, which claims the authority to decide what history should remember.

As Amelia is pushed deeper into a Cold War struggle over stolen watches and a missing, flower-stamped book of “lost” memories, Lisavet’s long fight inside the time space reveals the cost of erasure—how Forgotten people and moments distort the past itself. Between secret alliances, betrayals, and forbidden intimacy, the story asks who gets to curate history, what makes a life “important,” and whether love and identity can survive when memory becomes a weapon.

Plot Summary ⚠️ Spoilers

In 1938 Nuremberg, Jewish clockmaker and timekeeper Ezekiel Levy senses imminent danger as violence swells outside. He opens a hidden doorway using an ancestral pocket watch and pushes his daughter, Lisavet Levy, into a tunnel through Time, promising to return after finding his son, Klaus. The door vanishes, leaving Lisavet trapped in a vast library-like “time space” of endless shelves where leather-bound books contain human memories. She does not hunger or truly sleep, and after weeks of searching she realizes there is no obvious exit.

Lisavet encounters strange inhabitants: an irritable specter who warns that most beings there are dead and that the whispering presence called Time is dangerous, and a robed, self-possessed figure who identifies himself as Azrael, the first timekeeper, now “Forgotten.” Azrael teaches Lisavet to “time-walk” by stepping into memory-books as an unseen observer. Lisavet learns timekeepers can erase people and events by burning memory-books, and she witnesses a Nazi timekeeper destroy a volume and escape through a door using Ezekiel’s familiar pocket watch, tying her father’s fate to the war over memory.

Years pass inside the time space. By the mid-1940s Lisavet has grown up among other people’s lives, learning languages and hiding from timekeepers who burn books. She begins salvaging scorched pages from destroyed volumes, tucking them into what remains of Ezekiel’s memory-book. Azrael explains that erasure does not simply delete a story; it reshapes history around the missing pieces, making the erased “Forgotten” as the world rewrites itself to accommodate the gap. The time space becomes dominated by uniformed men—Nazis at first, then increasingly Russians and Americans.

Lisavet’s isolation shifts when she discovers a new change in herself: after years of only observing, she can suddenly affect objects inside memories. The first time she knocks over a cup in a French salon memory, she panics, fearing she is becoming something else—perhaps dying, perhaps trapped like Azrael. She also begins longing for real intimacy after watching a couple’s tenderness in a moonlit field memory. In 1946 she meets a living American timekeeper, Ernest Duquesne, whose presence feels perilous and exhilarating. Ernest first seems unusually merciful—stamping out flames to save a memory—yet when he confronts Lisavet, he steals the pages she rescued, leaving behind a blue leather book cover. The encounter plants both desire and mistrust.

In 1947–49, Lisavet and Ernest repeatedly collide and then choose each other. Ernest is working for the CIA-linked Time-Related Program (TRP) under director Jack Dillinger, who orders Ernest to track the mysterious “German girl,” seize her growing book of saved pages, or drag her out for interrogation. Ernest wavers as Lisavet argues that no government should decide what deserves to survive and that ordinary moments matter as much as official “importance.” Their connection deepens when a Russian timekeeper attacks and shoots at them; Ernest takes a bullet meant for Lisavet. Lisavet time-walks them into a wartime medical memory to improvise surgery and save him, then shows him a preserved memory of her parents’ first date in Geneva, underscoring how much of Ezekiel’s life has already been burned away.

Ernest and Lisavet fall in love despite the mission between them. Lisavet learns to touch Ernest, proving she is not merely a ghost, and Ernest develops a theory—“temporal departure”—that her body and consciousness have become untethered after years inside Time, making her unusually “solid” within memories. Their intimacy culminates in a 1949 jazz club memory and then a moonlit field as they finally act on their feelings. Immediately afterward, Lisavet touches the luminous “recent memories” drifting from Ernest and sees Jack’s demand that Ernest deliver her. Forced into truth, Ernest confesses he was sent to steal her book and may be ordered to drag her out. He chooses Lisavet, returns the book, and decides to lie by reporting her dead.

In 1950 Ernest brings Lisavet a recovered treasure: Ezekiel’s pocket watch, still capable of opening doors out of the time space, and a small revolver for protection. Lisavet experiments with her growing power and discovers something terrifying: if she fully inserts herself into a memory so that people and animals can touch and speak to her, the source book disintegrates afterward. Entering a memory “too fully” can change Time and destroy recorded history. She vows to stop, but her earlier interventions have consequences she cannot control.

Lisavet, now hunted, discovers she is pregnant with Ernest’s child. She gives birth inside a hospital memory and tries to bring the baby back to the time space, only to face an immediate impossibility: the infant is fully physical and hungry, while food taken from memories does not nourish her, and Lisavet’s milk fails. Desperate, Lisavet rewrites the past to save her daughter by placing the baby into Ernest’s sister Elaina Duquesne’s life on the night Elaina’s own newborn is about to die. Lisavet helps Elaina name the child Amelia and swaps her into the nursery, rewriting the cradle plate. The act tears open a vast whispering chasm in the time space as shelves collapse into dust—evidence of damaged histories. A Russian timekeeper steals Lisavet’s precious memory-book, including her preserved pages and her hidden record of Ernest. In 1952, Jack Dillinger and American timekeepers finally capture Lisavet and sedate her, sealing her out of the time space.

Lisavet wakes in a guarded psychiatric facility in Washington, DC. Jack interrogates her about Ernest, her abilities, and the baby, then breaks her by forcing her to confront the Holocaust and Klaus’s death. During a supervised outing Lisavet discovers she can stop Time itself, freezing rain and motion—a power that makes Jack both fearful and greedy. He compels her to erase an innocent captive’s memories into a black notebook and threatens that her daughter may be found. Offering conditional “freedom,” Jack forces Lisavet to erase her old life and take a new identity as Moira Donnelly, installing her as his secretary inside the TRP.

In 1955–59, Moira is used to erase knowledge and control staff, while navigating escalating coercion. Ernest reappears in her orbit, grieving family losses and raising Amelia, and their connection rekindles in secret. Meanwhile Ernest quietly resists Jack by sparing memories he is ordered to burn. Through Azrael’s intermediating presence in the time space, Ernest begins clandestine cooperation with Russian dissenter Vasily Stepanov. When Jack captures Vasily in 1958, Vasily hints that Lisavet’s child may still exist “out of Time.” Moira, panicked at any search that could expose Amelia, stops Time and kills Vasily. In 1959, when Ernest’s suspicions about missing timekeepers sharpen, Jack orders Moira to erase Lisavet Levy from Ernest’s mind again. Amelia, however, retains memories Moira tries to remove, suggesting she is becoming resistant to temporal manipulation. To protect Ernest and Amelia, Moira ends her relationship with Ernest by lying and then blackmails Jack into promoting her and relocating the TRP to New York while exiling Ernest to Boston.

By 1965 Boston, teenage Amelia Duquesne—raised believing Ernest was her uncle—receives Ernest’s watch after his apparent death and is coerced by Moira into timekeeping. Amelia enters the time space, meets Azrael, and encounters Anton Stepanov, Vasily’s son, alive and solid within the stacks. Anton possesses the battered dark-blue, flower-stamped memory-book Lisavet once filled with rescued pages. As Amelia’s pursuit and the time space’s crumbling chasm endanger her, Moira reveals fragments of the truth while Jack tightens control and uses Amelia as bait to capture Anton. Anton time-walks Amelia into an 1843 memory and gives proof that Ernest led a memory-saving resistance, contradicting the official narrative.

A federal raid destroys James Gravel’s pawnshop after Amelia’s contact, and when Jack arrives to seize control, Amelia’s fear triggers temporal departure: Time freezes, leaving only Amelia and Moira moving. Moira kills Fred Vance, disarms Jack, and traps Amelia inside the time space to force her toward Anton and the book, then resumes Time and executes Jack Dillinger. Amelia, stranded, bonds with Anton as he reveals his childhood losses and that stolen watches are hidden in the chasm. Together they enter Lisavet’s book and witness the buried history of Lisavet and Ernest.

Moira, now fully revealed as Lisavet, reunites with Ernest in New York; Ernest has regained the memories she erased after finding her book and confronts her. He admits he is the rebel leader stealing TRP watches to dismantle government control of the time space, and Lisavet chooses to protect him. Their fragile alliance fractures when Ernest develops a radical theory that the chasm may be a passage to alternate histories and plans a final sacrifice to seal the time space from interference. Both parents enter the time space as Amelia learns the chasm exists because Lisavet rewrote the past to save her.

In the time space, Lisavet stops Ernest from sacrificing himself by enlisting a furious Anton, then forces Amelia away by pushing her into the chasm with Ezekiel’s pocket watch. Lisavet makes her own sacrifice: she alters the origin of the time space by targeting Azrael’s past, killing his living self before his secrets can be extracted, so the time space’s curated archive can never be used as a weapon again. The shelves splinter and collapse as history rewrites itself.

Amelia lands back in 1965 Boston in a rewritten life where Ernest is her father and Lisavet her mother. Her memories split and reconcile as she tests the pocket watch and finds the time space transformed into a boundless, whispering realm of free, shifting memory rather than a controlled library. Choosing stability over obsession, Amelia closes the door on it and begins adapting to her new reality—starting with an early, gentler friendship with a different-version Anton at school.

Characters

  • Lisavet Levy / Moira Donnelly
    A Jewish girl hidden in the time space in 1938 who grows into a fierce preserver of endangered memories, falling in love with timekeeper Ernest Duquesne and making catastrophic choices to protect her child. Captured by Jack Dillinger, she is coerced into living as “Moira Donnelly,” a TRP insider forced to erase others’ memories while secretly resisting and ultimately attempting to end institutional control of Time.
  • Amelia Duquesne
    A Boston teenager pulled into timekeeping after inheriting Ernest Duquesne’s watch and enduring coercion by Moira and the TRP. Her search for the missing flower-stamped memory-book leads her to Anton and to the truth embedded in altered memories, and her growing temporal departure makes her central to how the story’s timelines fracture and reset.
  • Ernest Duquesne
    An American timekeeper whose early mission to seize Lisavet’s rescued memories becomes an enduring love and a moral turning point. Pressured by Jack Dillinger and later revealed as a leader in the memory-saving resistance, he steals TRP watches and pursues risky plans to prevent any government from controlling the time space.
  • Jack Dillinger
    The TRP powerbroker who treats memory as an instrument of state control, ordering burns, interrogations, and “cleanups” to shape history and protect the program. He captures Lisavet, forces her into the Moira identity, and escalates threats around Amelia, becoming the central human antagonist of the modern storyline.
  • Anton Stepanov
    A Russian timekeeper trained through loss and Cold War violence, first appearing to Amelia as a helpful guide and later as the suspected murderer tied to Ernest’s death. He possesses Lisavet’s missing blue, flower-stamped book and becomes Amelia’s uneasy ally as they navigate the chasm and the book’s revelations.
  • Azrael
    A “Forgotten” first timekeeper who haunts the time space as a guide and gatekeeper, teaching Lisavet time-walking and later steering Amelia through what memories conceal. His origins and vulnerability become pivotal when the story turns toward severing the time space from exploitation.
  • Ezekiel Levy
    Lisavet’s father, a Jewish clockmaker and timekeeper whose pocket watch opens doors into and out of the time space. His disappearance during the 1938 violence and the survival of his watch and memories anchor Lisavet’s mission to preserve what timekeepers try to erase.
  • Klaus Levy
    Lisavet’s brother whose absence in 1938 drives Ezekiel’s fatal search and later becomes part of the devastating historical truth Lisavet is forced to confront. His recorded fate underscores what Lisavet loses while trapped outside ordinary time.
  • James Gravel
    An independent timekeeper focused on preserving suppressed Black history who distrusts the TRP and explains the “rebels” and Lisavet’s legacy to Amelia. He holds stolen watches and becomes a target of federal pressure and Jack’s violence, catalyzing the story’s 1965 crisis.
  • Vasily Stepanov
    A Russian timekeeper and dissenter who secretly cooperates with Ernest to reduce memory destruction and who previously tracked Lisavet in the time space. His capture and claims about Lisavet’s child intensify Jack’s obsession and provoke Lisavet’s most irreversible protective actions.
  • Elaina Duquesne
    Ernest’s sister whose grief and motherhood become the hinge for Lisavet’s desperate attempt to save her newborn. Her life and memories are repeatedly implicated in the altered timeline that shapes Amelia’s identity and the story’s later fractures.
  • Gregory Duquesne
    Ernest’s father and an early founder figure whose watchmaking connections to Ezekiel Levy link the Duquesnes to the origins of American timekeeping. His legacy influences Ernest’s sense of duty and the TRP’s institutional momentum.
  • Patrick Brady
    A senior TRP timekeeper who monitors Moira, participates in captures and interrogations, and serves as one of Jack’s trusted enforcers. His suspicions about Amelia and his proximity to Jack make him a recurring threat to Lisavet’s secrecy.
  • George Collins
    A TRP timekeeper involved in surveillance and in the coercive operations around memory erasure and prisoner handling. He appears alongside Brady as part of the machinery that keeps Jack’s control enforceable.
  • Fred Vance
    A TRP trainee and operative used for tailing and enforcement, whose harassment and later violence illustrate the program’s culture of entitlement and coercion. His role in Jack’s 1965 operation leads to a lethal break in the chain of command.
  • Time (the whispers)
    An unseen, whispering presence threaded through the time space that characters alternately fear, seek, and try to interpret. The whispers function as a lure and a warning, shaping how Lisavet and Amelia navigate memory, danger, and the chasm.

Themes

The Book of Lost Hours treats time not as a river but as an archive—and asks who gets to be the archivist. Across Lisavet’s 1938 flight into the “library” of Time (Ch. 1) and Amelia’s coerced recruitment in 1965 (Chs. 2–4), the novel frames memory as both record and weapon, vulnerable to censorship, theft, and fire.

  • Memory as power: the politics of what survives. The recurring image of burned memory-books (Chs. 1, 3, 5) literalizes historical erasure: Nazis, then Americans and Russians, decide which lives matter enough to be kept. Government “importance” metrics in the TRP (Ch. 4) mirror real-world archival bias, while James Gravel’s insistence on preserving Black history (Ch. 6) exposes how official memory often serves the state, not the people. Lisavet’s salvaging—pages stuffed into her father’s book—becomes a counter-archive built from fragments, insisting that ordinary moments (Ezekiel’s balcony date in Ch. 5) deserve permanence.

  • Erasure and the unstable self. Characters repeatedly lose and regain identity through deletion, rewriting, or forced reinvention: Lisavet becomes “Forgotten” as her life vanishes from public records (Ch. 7); Ernest is hollowed out when Lisavet removes herself from his mind (Ch. 8); Lisavet is renamed and remade as Moira under Jack’s captivity (Ch. 12). The novel suggests the self is partly social—held in others’ recollection—and that to control memory is to control personhood.

  • Love as both refuge and liability. The romance between Lisavet and Ernest (Chs. 7–8) is tender precisely because it occurs inside a system designed to make tenderness irrelevant. Their intimacy (the jazz club, “Blue Moon”) becomes a private resistance to institutional coldness, yet love also creates leverage: Jack exploits attachments, and Lisavet’s most devastating “protection” is to sever Ernest from her to save him (Ch. 8).

  • The ethics of intervention: saving vs. rewriting. Lisavet’s growing ability to physically alter memories (Ch. 3) culminates in the morally knotted act of placing baby Amelia into another life (Ch. 10), widening the chasm. The novel refuses easy judgment: rescue produces rupture, and safety has cosmic costs. Ernest’s later plan to seal the time space by radical sacrifice (Ch. 21) echoes the same dilemma—whether preventing tyranny justifies irrevocable change.

  • Freedom after collapse: letting Time be uncontrollable. The finale reframes “fixing” as relinquishing mastery. Lisavet’s choice to undo Azrael’s origin (Ch. 22) destroys the controlled library, and Amelia’s final door opens onto a noisier, fluid constellation of memories (Ch. 23). The book’s last gesture—Amelia choosing to close the door—argues that the most humane relationship to history may be stewardship without ownership.

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