Cover of The Invisible Life of Addie LaRue

The Invisible Life of Addie LaRue

by V. E. Schwab


Genre
Fantasy, Historical Fiction, Romance
Year
2020
Pages
489
Contents

Overview

Adeline “Addie” LaRue is a young woman from 18th-century France who refuses a life chosen for her and makes a desperate bargain with a mysterious being who answers prayers after dark. The deal grants her freedom and an unending life—but at a brutal cost: no one can remember her, her name catches in her throat, and every trace she tries to leave behind is erased. Addie becomes a wanderer through centuries, surviving on stolen moments of beauty, music, and art, and on a stubborn refusal to let her selfhood dissolve.

In modern-day New York, Addie encounters Henry Strauss, a bookseller who does the impossible: he remembers her. Their connection throws her carefully managed isolation into chaos and draws the attention of Luc, the force behind her curse, whose long game is built on hunger, ownership, and the power of stories. Moving between Addie’s origins in Villon-sur-Sarthe, her hard-won survival across Europe and America, and her fragile present with Henry, the novel explores what it means to be seen, what it costs to be free, and how art and ideas can outlast memory.

Plot Summary ⚠️ Spoilers

On March 10, 2014, in New York City, Addie LaRue wakes in a stranger’s bed already knowing the morning’s outcome: the man will forget her as soon as he looks away. Addie cannot speak her real name, cannot write it, and cannot leave evidence that lasts. She delays the moment by playing the piano and guiding him toward a song idea, one of the few “marks” she can safely leave—by planting inspiration in someone else. She drifts through the day stealing clothes and books, returning what she takes when she can, and sustaining herself with art, music, and stories because nothing else is stable.

The reason for Addie’s strange existence lies three hundred years earlier in Villon-sur-Sarthe. As a child, Adeline is awakened to the vastness of the world on a trip to Le Mans with her woodworker father, a hunger for “away” taking root. As she grows, village expectations tighten into marriage and confinement. She seeks counsel from Estele Magritte, an outsider who reveres old gods and warns Adeline never to pray to the gods who answer after dark. When Adeline is forced toward marriage to Roger, a widower, she flees into the woods and—cornered by villagers—breaks Estele’s rule. The answering darkness takes the shape of the “stranger” she has long imagined and drawn. Adeline bargains: she will give him her soul only when she is “done” with life. He accepts, sealing it with a blood-tinged kiss and the word “Done.”

Adeline returns to Villon expecting freedom, but learns the real price: her parents do not recognize her, her name cannot be spoken, and everyone forgets her instantly. Even Estele forgets her as soon as the door closes. Addie leaves home, discovering twisted rules of the curse—pain is real, but wounds and damage vanish; she cannot build or destroy lasting things, but theft can “stick.” She reaches Le Mans and then Paris, where the curse’s cruelty becomes survival horror: she is thrown out of paid lodging because no one remembers taking her money; she cannot rely on church or charity; she sells herself at the docks and endures sickness, even waking in a death cart. A year after the bargain, the darkness finally returns and makes his goal explicit: her promise gives him reason to make her existence unbearable until she surrenders her soul. Addie refuses, and the conflict becomes a war.

Across decades and centuries, Addie learns to live in fragments. She finds brief connection with people like Remy Laurent, who treats her with tenderness and awakens her desire to be known, only to forget her by morning and leave her devastated. She learns that while memory of her vanishes, art can preserve her as an idea: an artist in Venice, Matteo, sketches her; later, Addie notices her freckled likeness recurring in paintings and sculptures, and a work called Revenir by Arlo Miret feels like proof that inspiration can survive where identity cannot. Luc alternates between absence, taunts, and escalating displays of power, from sabotaging Addie’s access to Paris salons to revealing his monstrous nature when he rips Ludwig van Beethoven’s soul away. In New Orleans, he tempts Addie with a key to a “home” and gifts like a leather jacket, but Addie secretly witnesses him calmly collecting another person’s soul and recoils from what he truly is. Their long entanglement turns into an affair that gives Addie the intoxicating experience of waking beside someone who still remembers her—while she fights to keep from calling it love.

Back in 2014, Addie’s routine cracks when she discovers The Last Word, a hidden used bookstore, and tries to steal The Odyssey. The bookseller, Henry Strauss, follows her outside—and, impossibly, remembers her the next day. Addie is shaken into hope and fear as Henry continues to recognize her, even speaking her real name when she manages to say “Addie” aloud. As they grow closer, Addie is forced to confront the collision between her curse and Henry’s rooted life: friends like Beatrice “Bea” and Robbie cannot consistently remember Addie, causing endless resets and social fractures. Addie finally tells Henry the truth: she is cursed, born in 1691, and bound by a deal with the darkness.

Henry believes her because he has made a bargain of his own. In 2013, after being rejected by Tabitha Masters and drowning in depression, Henry met a stranger in the rain—Luc—and took a deal to be loved. The bargain warps how everyone sees Henry, drawing obsessive warmth and “frosted” adoration from strangers, offers from people like Dean Melrose, and unstable relationships with Vanessa, Robbie, and even his family. Henry’s deal also explains why he can remember Addie: his desire is not success or beauty but to be truly seen and loved, and Addie becomes the one person who looks back without the deal’s haze.

Addie and Henry build a fragile, joyful life—secret clubs, the Artifact art installation, notebooks filled with Addie’s remembered history. In a breakthrough, Addie finds she can finally leave a lasting mark if she draws through Henry’s hand; together they write her name, “Addie LaRue,” and it stays. Henry begins recording her story in multiple journals, turning her invisible life into something that can endure.

On July 29, 2014—the three-hundredth anniversary of Addie’s bargain—Luc returns openly, freezing a bar and revealing a devastating truth: Henry did not ask for “a lifetime,” but for a single year. Henry has only weeks left before Luc claims his soul, and the watch engraved “Live well” is the countdown. Addie, desperate, bargains with Luc for Henry’s release and agrees to an “anniversary” night, but Luc refuses to spare Henry and admits he orchestrated Addie and Henry’s meeting as a cruel lesson meant to push Addie back into surrender. When Luc steals a full week of time from Addie and Henry, Henry breaks and begs Addie to stop fighting and simply stay with him until the end.

As Henry’s final day arrives, Addie keeps her promise, staying with him through panic, rain, and the approach of midnight, returning to the rooftop where Henry once stood on the brink. But Addie has already chosen another path. In the early hours, she goes to Luc and offers a new bargain: Henry must live, and Henry must keep remembering Addie. In exchange, Addie offers herself—promising to belong to Luc for as long as he wants her by his side. Luc accepts, sealing it with a kiss and blood. When Henry confronts her at the end, Addie urges him to live honestly and find real sight beyond compelled love; she asks him, above all, to remember. Then she vanishes from his life.

Henry wakes alone, devastated, but discovers his journals remain intact and he still remembers Addie. Over months, he transcribes the notebooks into a manuscript and decides the only way to make Addie real in the world is to publish under her name. The book becomes The Invisible Life of Addie LaRue, bearing the dedication “I remember you.” In 2016, Addie finds the novel displayed in a London bookstore and realizes her story is now being spoken and carried by strangers—proof that ideas can outlast her curse. Luc appears, satisfied that the world can have the story as long as he has Addie. But Addie notices the loophole in her new bargain: she promised to stay only as long as Luc wants her. She resolves to play a patient game—to make him let her go—and follows him back into the dark.

Characters

  • Addie LaRue (Adeline LaRue)
    A French woman born in Villon-sur-Sarthe who bargains for freedom and is cursed to be forgotten and unable to leave lasting marks. Across three centuries she survives through theft, art, and stubborn defiance, until meeting Henry gives her a chance to be remembered and recorded. Her central conflict is resisting Luc’s claim while trying to preserve her identity and meaning.
  • Luc
    The dark being who answers Addie’s prayer “after dark” and binds her with a soul-bargain designed to wear her down into surrender. He alternates seduction, cruelty, and displays of power, collecting souls from others and manipulating Addie’s relationships to claim her. He also makes Henry’s deal, creating the condition that lets Henry remember Addie and escalating the long war between them.
  • Henry Strauss
    A New York bookseller at The Last Word who can remember Addie because of his own bargain to be loved. His deal warps how others perceive him and hides a one-year deadline that Luc intends to collect. Henry becomes Addie’s first true witness and ultimately preserves her life by writing and publishing her story under her name.
  • Beatrice "Bea" Helen
    Henry’s closest friend and intellectual confidante who hosts gatherings, covers the bookstore, and reads Henry’s manuscript. She repeatedly senses Addie as “timeless” without being able to hold the memory, and her “ghost in the frame” research connects Addie to recurring art. Bea helps frame Henry’s shift from helplessness under his deal to choosing a future shaped by Addie’s story.
  • Robbie
    Henry’s performer friend and former love whose jealousy and lingering feelings complicate Henry and Addie’s fragile normal. He repeatedly forgets Addie, triggering confrontations that force Addie to admit her curse and test Henry’s loyalty. His parties and shows also highlight how Henry’s deal distorts affection and attention.
  • Book
    The elderly orange tabby associated with The Last Word who is notably drawn to Addie and later becomes part of Addie and Henry’s shared home. Book’s presence underscores the intimacy Addie builds with Henry and the domestic life she is otherwise denied. (Some chapters also mislabel Book as a dog, but the recurring role is Henry’s bookstore cat.)
  • Estele Magritte
    The village outsider in Villon who teaches Addie about the old gods and warns her not to pray after dark. Her guidance shapes Addie’s early choices and becomes a moral echo throughout Addie’s centuries. Estele’s memory and grave remain a crucial tether to Addie’s origin and grief.
  • Jean LaRue
    Addie’s woodworker father whose stories, carvings, and early encouragement of art shape her hunger for elsewhere. His death in 1714 deepens the tragedy of Addie’s return to Villon and the cost of her bargain. He also inspires the motif of carving life down to essentials that Addie later repeats in survival.
  • Marthe LaRue
    Addie’s strict, religious mother who enforces village duty and helps drive Addie toward a marriage she cannot accept. After the bargain, Marthe cannot recognize Addie, embodying the curse’s cruelty at its most personal. Addie’s later return to Villon is haunted by Marthe’s continued unknowing.
  • Remy Laurent
    A young printer’s son in 1720s Paris who protects Addie, debates meaning and legacy with her, and offers her a rare night of chosen intimacy. His morning-after forgetting devastates Addie but also motivates her resolve to learn to read and to seek permanence through ideas. Remy represents the kind of human connection Addie craves but cannot keep.
  • James St. Clair
    A famous actor who provides Addie temporary shelter and luxury in New York and whose apartment highlights the impermanence of anything Addie tries to keep. In memory, James confides he is gay and had used Addie as a public cover, and their bond becomes conspiratorial companionship. His resources indirectly help Addie survive the present, even as she refuses to be trapped by his life.
  • Samantha (Sam)
    A painter and Addie’s on-and-off lover in New York whose recognition is intense but temporary, mirroring Addie’s pattern of fast-burning connections. Sam’s sold painting of a girl she cannot remember functions as evidence of Addie’s erasing effect and her survival as an artistic subject. Sam embodies the temptation of warmth that Addie repeatedly walks away from.
  • Toby Marsh
    A musician in New York whose encounters with Addie revolve around a song she helps him shape, letting her leave influence without being remembered. Years later, his performance of a song about loving someone he can’t remember triggers Addie’s grief and the layered weight of her life. Toby represents Addie’s bittersweet way of existing through inspiration rather than relationship.
  • Fred
    A sidewalk bookseller in Brooklyn whose table becomes part of Addie’s routine and whose grief over his late wife, Candace, parallels Addie’s fear of being unseen. Addie steals and returns books through him, treating stories as survival supplies. Fred’s quiet presence anchors Addie’s modern loneliness before Henry.
  • Candace
    Fred’s deceased wife whose books stock his sidewalk table and whose absence drives his daily ritual. Though not present, she shapes Fred’s grief and the small ecosystem of stories Addie depends on. Candace’s remembered collection contrasts with Addie’s enforced erasure.
  • Muriel Strauss
    Henry’s younger sister whose breakfasts, blunt support, and small intrusions into his crisis reveal the family dynamics Henry feels trapped by. She offers him pills during a family moment, indirectly echoing the bargain’s presence in his life. Muriel’s attention highlights both genuine care and the uncanny shifts caused by Henry’s deal.
  • David Strauss
    Henry’s older brother, a surgeon, invoked as a symbol of stability and certainty Henry believes he lacks. David’s later, unnaturally warm approval helps Henry recognize how his bargain distorts real relationships. He remains a key reference point for Henry’s sense of inadequacy.
  • Tabitha Masters
    Henry’s former partner whose rejection of his proposal triggers his emotional collapse and sets the stage for his bargain with Luc. Later, her fogged, deal-driven renewed affection confirms to Henry that his wish has rewritten love into something unreal. Tabitha functions as both Henry’s wound and the clearest proof that compelled love is not true seeing.
  • Vanessa
    A barista who is rapidly drawn into Henry’s life under the bargain’s glow, escalating intimacy at a pace that alarms him. Her declaration of love and her attempt to burn Tabitha’s keepsakes reveal how the deal produces obsession rather than genuine knowledge. Vanessa helps Henry understand that universal attraction can be another kind of isolation.
  • Meredith
    The largely absent owner of The Last Word whose absence makes Henry’s job both refuge and trap. Mentioned through Henry’s work life and the store’s operation, she frames the bookstore as a place run on improvised stability. Her role emphasizes how Henry and Bea build their own world inside the shop.
  • Dean Melrose
    A university dean who first pushed Henry out of his academic path and later returns with improbable praise and offers because of Henry’s bargain. His sudden reversal helps Henry see how the deal makes authority figures respond automatically, not authentically. Melrose embodies the bargain’s power to rewrite reality around Henry.
  • Arlo Miret
    The artist credited with the sculpture Revenir, which unknowingly preserves a fragment of Addie’s story in lasting form. The work becomes proof to Addie that art can carry her through the world even when memory cannot. Arlo’s role ties Addie’s survival to the endurance of ideas.
  • Madame Geoffrin
    An influential Paris salonnière who is impressed by Addie’s staged intellect and independence and briefly invites her into the world of ideas. Luc’s public sabotage of Addie in Geoffrin’s salon teaches Addie that reputations and ideas can persist even when faces are forgotten. Geoffrin’s salon marks a key moment in Addie’s understanding of power.
  • Matteo
    A Venetian artist who sketches Addie after a night together, leaving behind an image that can outlast his forgetting. The drawing helps Addie grasp that she can survive as an idea through art even if she cannot be remembered. Matteo’s role crystallizes one of the novel’s central loopholes: influence without credit.
  • Max
    A wealthy sculptor in 1950s Los Angeles who repeatedly falls for Addie, illustrating her cycle of temporary companionship. Luc’s compulsion drives Max away to assert control and force Addie to confront what Luc can steal from her at will. Max functions as a foil to Luc’s enduring presence and Addie’s loneliness.
  • Ludwig van Beethoven
    A dying composer whom Addie is forced to witness as Luc extracts his soul by force, revealing the full horror behind Luc’s bargains. His scene expands Addie’s fear from personal torment to existential danger. Beethoven’s appearance underscores the cost Luc demands from artists and the violence beneath beauty.
  • Joan of Arc
    A historical figure cited by Luc as an example of his bargains, used to argue that greatness demands sacrifice and that legends are built on steep prices. Though referenced rather than directly present, Joan’s story frames Luc’s worldview about souls, fame, and cost. Her mention sharpens Addie’s dread about what art and history can conceal.
  • Voltaire
    A famous writer whose presence in a Paris café sparks Remy’s discussion of books, learning, and the exclusion of women from education. Voltaire’s work and name recur as part of Addie’s evolving relationship to reading and ideas. He serves as a cultural marker for the intellectual worlds Addie longs to enter.

Themes

V. E. Schwab builds The Invisible Life of Addie LaRue around a paradox: a woman granted “freedom” and endless time, yet denied the ordinary proof that a life was lived. The novel’s themes braid across centuries, repeatedly returning to what it means to exist, to be known, and to choose a self when the world refuses to hold you.

  • Memory, erasure, and the hunger to be witnessed. Addie’s curse makes her presence evaporate—names dissolve on glass (Ch. 1), stains undo themselves (Ch. 12), letters vanish mid-sentence (Ch. 13). This is not merely loneliness but an ontological crisis: if no one remembers, does the self persist (Ch. 19)? Henry’s impossible remembering (Ch. 25–29) becomes a revelation that identity is relational, and the later manuscript—pages that stay (Ch. 64, 98–99)—turns remembrance into a literal artifact.

  • Art as a loophole: ideas outlasting lives. Schwab repeatedly contrasts fragile memory with durable “echo.” Addie cannot write her name, yet she can seed inspiration—Toby’s song (Ch. 1), the sculpture Revenir (Ch. 15), Bea’s “ghost in the frame” (Ch. 51–52), Matteo’s sketch (Ch. 69), and the National Gallery’s accumulating portraits (Ch. 71). The Artifact’s wall—where Addie writes “Addie LaRue” using Henry’s hand (Ch. 62)—crystallizes the motif: she cannot mark the world directly, but she can collaborate with others to make permanence.

  • Freedom, consent, and the hidden costs of bargains. Addie’s flight from forced marriage (Ch. 8–10) and Henry’s plea to be loved (Ch. 45, 82) mirror each other, showing how desperation invites predatory “solutions.” The novel treats bargains as distorted consent: terms are “granted,” but designed to wound (Ch. 21). Addie’s survival-by-theft (Ch. 2, 16, 68) underscores freedom’s moral price, while Henry’s charm-curse makes admiration feel like another kind of erasure (Ch. 59).

  • Love as possession versus love as release. Luc frames love as hunger and ownership (Ch. 88), making intimacy an extension of control—he freezes rooms, commandeers bodies, even steals time (Ch. 81, 92). Against this, Henry offers a love that insists on Addie’s name, choice, and continuity (Ch. 29, 37). The climax reframes love as sacrifice and authorship: Addie trades herself to save Henry (Ch. 96–97), and Henry publishes her name into collective memory (Ch. 99–100). Yet the ending refuses neat closure, turning love into strategy and long game—Addie’s final vow to outwait Luc’s wanting (Ch. 100) makes freedom, at last, something she intends to write on her own terms.

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