Theo of Golden
by Allen Levi
Contents
CHAPTER 12
Overview
Mrs. Gidley, directed by James Ponder, helps Theo’s plan by locating addresses, mailing invitations, and keeping a log, though she remains suspicious of his generosity. Theo successfully bestows three more portraits at the Fedder—one to bartender Junior Perryman, one to student Bun Everson (with her friend Sara), and one to wheelchair-bound twelve-year-old Frankie Knowles accompanied by his parents.
Ponder’s warnings about contacting children and giving portraits to women highlight the reputational risks Theo is taking, but Frankie’s family’s emotional reaction and later word-of-mouth show the project gaining traction. Theo feels he has found a purpose in Golden and commits to many more bestowals.
Summary
Following James Ponder’s instructions, Mrs. Gidley researches addresses for three portrait recipients, mails Theo’s handwritten invitations, and starts a delivery log to track timing. The work feels demeaning to her and deepens her suspicion about why Theo is giving away valuable portraits, even as she notices his unusually beautiful handwriting.
At the Fedder fountain, Theo conducts bestowal number two with Junior Perryman, a one-armed mixologist at the Bowleg Bar and Grill. Junior chats easily, jokes about bartending with one arm, and tells Theo the fountain’s “Peeth a Fedder” origin story. When Theo finally presents the portrait, Junior accepts with surprised gratitude and invites Theo to visit the bar, planning to give the portrait to his mother.
Bestowal number three goes to Bun Everson, a University of Golden graphic design student who arrives with her friend Sara, an English major and aspiring writer who previously wrote an article about Asher. The two share dreams of starting a magazine and recognize the portrait from the Chalice wall, explaining they had spoken with artist Mr. Glissen when he photographed them. Theo realizes this meeting may lead to future encounters—and the narrative notes it later becomes part of their magazine’s story.
Before bestowal number four, the chapter recounts James Ponder’s cautions: Theo should not write directly to children and should be careful giving portraits to women, especially young women, because such gestures can be misunderstood. Despite the risk, Theo proceeds because Frankie Knowles’s portrait feels important.
Frankie, a twelve-year-old in a wheelchair, arrives with his parents, who are wary because they rarely visit the Chalice and did not know Frankie’s photo had been displayed. Theo speaks with Frankie warmly and attentively, learning Frankie loves NASCAR. When the family sees the portrait, Frankie’s mother is overwhelmed and Frankie’s father quietly beams; the moment ends with thanks, hugs, and laughter. Theo never sees them again, but the family spreads the story, confirming that Theo’s giveaway mission has momentum, with many portraits still to return.
Who Appears
- TheoGives three more portraits at the Fedder and feels his purpose solidifying.
- Mrs. GidleyFinds addresses, mails invitations, keeps a log; suspects Theo’s motives.
- Junior PerrymanOne-armed Bowleg Bar mixologist; receives portrait and shares Fedder fountain story.
- Bun EversonUniversity of Golden graphic design student; receives portrait and shares magazine dreams.
- Frankie KnowlesTwelve-year-old NASCAR fan in a wheelchair; receives portrait with his parents present.
- James PonderDirects Mrs. Gidley’s mailing process; warns Theo about children and women recipients.
- SaraBun’s friend and creative writing student; recognizes Glissen’s work and encourages Bun.
- Mr. KnowlesFrankie’s father; cautious at first, then quietly moved by the portrait.
- Mrs. KnowlesFrankie’s mother; visibly overwhelmed and grateful upon seeing the portrait.
- Mr. GlissenPortrait artist discussed by recipients; his work motivates Theo’s bestowals.