Theo of Golden
by Allen Levi
Contents
CHAPTER 21
Overview
Theo visits Asher’s Broadway studio and is immersed in the scale and variety of the artist’s work, seeing both paying portraits and more experimental pieces. Over coffee, Theo and Asher trade personal histories, and Asher reveals family strains, loss, and the financial toll of caring for his mother through Alzheimer’s.
Their talk pivots into a defining debate about “good art,” with Theo arguing that true goodness requires love at its core, while Asher admits doubts about his worth when measured by fame and sales. A commission phone call interrupts, leaving Theo free to explore the studio and the relationship poised to deepen.
Summary
Theo arrives in the Boughery and reaches Asher Glissen and Brooke’s converted studio at 107 South Broadway. Asher greets Theo with paint on his hand, welcomes him in despite working, and offers coffee and baroque music. Theo brings a bouquet; Asher recognizes the echinacea and narcissus as his mother’s favorites and appreciates the gesture.
Asher leads Theo through halls lined with artwork into the main studio, where Theo is overwhelmed by the volume and range of Asher’s output. Theo notices three active works: an unfinished oil portrait of an older man, a pencil illustration of a little girl drawing with chalk for a children’s book project, and an impressionistic nighttime riverscape done with a palette knife. Theo compliments Asher’s breadth beyond portraiture.
Over coffee, Asher explains that portraits keep his family afloat but he keeps side projects to stay creatively alive. Asher asks about Theo’s background; Theo describes growing up in Portugal near Porto, later living in major cities, and now residing in New York. Theo says he is in Golden to tend to nearby properties and mentions renting Mr. Ponder’s apartment at Ponder House, which surprises Asher.
The conversation turns personal as Theo invites Asher’s story. Asher recounts his Golden roots, an artist mother and ad-agency father, and a strained relationship with his brother, Pearce, whose daughter is Minnette. Asher describes marrying Brooke, raising their daughter Samantha (“Sam”), and caring for his parents—his father before he died and his mother through Alzheimer’s, which hurt the family financially but kept Asher close to her until the end.
Prompted by Theo, Asher reflects on what makes “good art,” suggesting it is whatever helps people see, feel, or become better, and resisting critics’ authority. Theo offers his own criterion: for anything to be truly good, love must be at its core—love for the gift, the subject, and the audience—though Theo admits he cannot always detect it and believes God can. Asher acknowledges the idea, voices insecurity about his own “goodness” measured by fame and sales, and is then interrupted by a ringing phone; expecting a commission call, Asher asks to take it and encourages Theo to make himself at home and look around.
Who Appears
- TheoVisitor to Asher’s studio; shares beliefs about art, love, and his life in Portugal and New York.
- Asher GlissenPortrait artist and studio owner; hosts Theo, discusses family losses, and reflects on what makes good art.
- BrookeAsher’s wife; co-owner of the converted studio, mentioned as part of his family life.
- Samantha “Sam”Asher and Brooke’s daughter; a schoolteacher in South Carolina, mentioned in Asher’s biography.
- PearceAsher’s brother; money-focused and distant from Asher, referenced during Asher’s family history.
- MinnettePearce’s daughter and Asher’s beloved niece; noted for hardships and closeness to Asher’s mother.
- Asher’s motherArtist who inspired Asher; died of Alzheimer’s after years of care that strained finances.
- Asher’s fatherAd-agency owner; supported Asher’s talent and lived with Asher late in life before dying.
- Mr. PonderTheo’s landlord at Ponder House; mentioned as providing Theo a place to stay in Golden.