Chapter Forty-One
Contains spoilersOverview
After rescuing one bird and burying another, Joar returns home and tenderly tends to the injured bird with his mother. Their playful bond and shared history reveal a loving yet precarious life under the shadow of Joar’s abusive father. The chapter ends with the father arriving drunk, seeing their happiness and the bird, foreshadowing imminent violence.
Summary
The chapter opens as the four friends—Ted, Joar, Ali, and Christian—separate at a crossroads after saving one bird and burying another, promising to meet “Tomorrow.” Ted watches Joar as long as he can, and the narration notes they will only swim together in the sea once more.
Later, Joar sits on the floor with his mother, nervously asking if they should “puke” food to feed the injured bird, recalling what he believes mother birds do. Joar’s mother is unsure but delighted by Joar’s knowledge. They decide to give the bird water first, and she cleverly uses a straw to feed it drop by drop. Their banter—silly jokes and fond teasing—underscores their intimate, resilient relationship amid hardship.
Joar reflects on how others judge his mother—her clothes, laugh, and manner—while insisting she is the best part of his life. He considers the notion that she might have “poor judgment,” recounting chaotic, affectionate memories: riding in a bicycle basket, ice cream for breakfast, a pants-leg briefly set on fire during sewing by candlelight, and long movie marathons. She once taught him to skate, and they lay on the rink naming constellations; he hid his skill to avoid the costs and culture of team sports.
At twelve, Joar learned she did not have a driver’s license only after she had taught him to drive; she once evaded police by claiming he had appendicitis. Despite dreams of escape, both remained trapped by fear and circumstance in their home, which Joar likens to an invisible prison.
Back in the present, as they care for the bird and joke—his mother laughing so hard she farts—the mood shifts. Joar’s father silently arrives, already several beers in, breathing harshly, his gaze unfocused but locking onto the bird and their happiness. Hatred fills his eyes, and Joar understands there will be no happy ending to this moment.
Who Appears
- Joar
friend in the core group; tends to an injured bird with his mother; recalls family history and their bond; anticipates his father’s violence.
- Joar’s mother
loving, resourceful caregiver; mocked by others; feeds the bird with a straw; shares jokes and memories with Joar; lacks a driver’s license; fearful yet nurturing.
- Joar’s father
abusive, drunk presence; returns home, sees the bird and their joy, and radiates hate, foreshadowing harm.
- Ted
friend; present in the opening scene at the crossroads and referenced by Joar and his mother.
- Ali
friend; present in the opening scene at the crossroads.
- Christian
friend; present in the opening scene at the crossroads.