Chapter Thirty-Eight
Contains spoilersOverview
Ted and Louisa race by taxi to catch the train carrying the painting, ashes, and Ted’s suitcase, but miss it at the station. A spirited taxi driver, accompanied by her large plant Albert and blasting opera, ferries them to the next stop, urging hope and sharing life advice. They reach a seaside town and decide to try the lost and found, parting warmly from the driver. The chapter ends with Ted’s weary resignation as they head into the station, underscored by a small mishap.
Summary
The chapter opens with Ted recalling conversations about art and humanity with the artist: they listened to Maria Callas, and Ted mused that art is what cannot fit inside a person. The memory segues into the present where Louisa snaps Ted back to focus in a station parking lot. Despite fear and irritation, Ted agrees to take a taxi to chase the train that left with the painting, ashes, and his suitcase.
They pile into a taxi driven by a woman who keeps a large plant, Albert, in the back for sunlight. Louisa sits in front and quickly bonds with the driver, while Ted, bruised and anxious, squeezes in beside Albert. The driver speeds along the tracks as opera blares, joking about love and calling Ted a youngster, while Louisa excitedly presses buttons and asks questions. Ted’s anxiety spirals; he silently mourns his failures and cries into Albert as Maria Callas plays.
On the way, Louisa notices family photos on the dashboard. The driver shares that she and her husband have been married forty years and advises that the secret is “holding hands” and sharing meals. She mentions seven grown children, two deceased, and that keeping something alive—children, grandchildren, or even Albert—matters. Louisa teases Ted about hating children and being scared of babies; Ted defensively denies it and tries to act brave about dogs and prison.
The taxi screeches to a stop at a station as the train approaches. Louisa sprints up the steps and waves frantically, but the train thunders through without stopping. Ted reaches the platform too late; they can only watch it vanish into the night.
Back at the car, the driver proposes going to the next station to try the lost and found. Ted doubts anyone would turn in such valuable items, but the driver insists that hope is necessary. They drive into a small, seemingly quiet town with boarded-up shops, a café, and a sporting goods store, learning it is near the sea as gull droppings dot windshields and salt air fills the night.
At the next station, Ted panics about his wallet being on the train, but Louisa reveals she took money from his suitcase earlier and pays the driver. The driver moves Albert, bids them to take care of themselves, and repeats her “hold hands” advice, calling this the first day of the rest of their lives. After goodbyes, Ted reflects on the overwhelming speed of life as the taxi departs.
Louisa prompts Ted to thank her for paying—with his money—and they head toward the lost and found. The chapter closes with a small comic beat as Ted steps in dog mess despite Louisa’s belated warning.
Who Appears
- Ted
narrator/protagonist; anxious, injured, and guilt-ridden; agrees to chase the train by taxi; misses the train; heads to lost and found.
- Louisa
teenager traveling with Ted; proactive and outspoken; bonds with the taxi driver; pays the fare with cash taken from Ted’s suitcase; pushes to continue the search.
- The artist
Ted’s deceased best friend; appears in Ted’s memories about art and Maria Callas.
- Taxi driver
new; lively and compassionate; races them along the tracks, shares marital advice about holding hands and living together; encourages hope and takes them to the next station.
- Albert
new; the taxi driver’s large plant riding in the taxi; serves as Ted’s inadvertent comfort as he cries into it.