Cover of The Familiar

The Familiar

by Leigh Bardugo


Genre
Fantasy, Historical Fiction, Fiction
Year
2024
Pages
359
Contents

Chapter 28

Overview

Santángel secretly investigates La Casilla and confirms the scorpion attack on Luzia was ordered by Gracia de Valera’s patron, then disposes of the scorpion. He meets Luzia to trade intelligence about rivals, concludes Teoda’s visions may be a crafted religious performance, and voices a bitter assessment of Spain’s blood-soaked empire. Luzia presses Santángel about his inhuman qualities and fears the next “devil” trial, while Santángel’s jealousy and desire push him to leave and seek more answers.

Summary

Santángel avoids the post-hunt feast and instead prowls La Casilla unseen, listening to guards and servants to learn what he can about the next day’s trial. He recalls how he identified the person who put a scorpion in Luzia’s room: a guard confessed he had been sent by Gracia de Valera’s patron, and then the guard was silenced. Santángel later releases the scorpion outdoors, repeating the words he used to subdue it: You are not where you belong.

Back at La Casilla, Santángel reflects on his long captivity under the De Paredes family and the numbness that made time indistinguishable. Since the day in the widow’s courtyard, Luzia’s presence has reawakened him—hunger, desire, and a sense of being human again—leaving him torn between resentment and gratitude, and determined to endure until he is free.

Santángel goes to Luzia’s room, telling himself it is to gather intelligence. Luzia reports that both the Holy Child and the Prince of Olives believe Gracia is a fraud, and that Teoda Halcón spoke darkly of blood and plunder. Santángel infers Teoda is sensitive to objects as well as voices, and suspects her “angel” may be a Church-friendly invention. He warns that Fortún will likely repeat Teoda’s comments, which could endanger her, then expands into a blunt critique of Spain’s empire and how conquest soaks everyone’s wealth in blood.

Luzia challenges him, saying she does not want to help Philip “bleed the world,” and then confronts Santángel with Fortún’s claim that Santángel is not what he seems. Pressed, Santángel admits he is not like other men; he deflects questions about whether Víctor kept him in a dungeon and why he once seemed not to eat or sleep. Luzia, frightened, says she has been told she must face the devil in the second trial; Santángel insists it is a metaphor and promises to learn what he can.

Santángel then probes what Luzia thinks of the competitors, and bristles when it becomes clear she sympathizes with Fortún and his coercive patroness, Doña Beatriz. Feeling jealousy and destabilizing desire, Santángel abruptly ends the conversation, telling Luzia they will practice tomorrow. He leaves to gather more information that might help her “best the devil.”

Who Appears

  • Santángel (El Alacrán)
    Unseen investigator and captive familiar; confirms scorpion plot, debates empire, battles jealousy, vows to research next trial.
  • Luzia Cotado
    Víctor’s reluctant contestant; shares rival intel, challenges Santángel’s secrecy, fears facing the “devil” in the next trial.
  • Fortún Donadei (Prince of Olives)
    Rival hopeful; suspected of strategic confession-sharing; previously warned Luzia that Santángel isn’t what he seems.
  • Teoda Halcón
    Rival seer; criticized conquest; implied to sense objects, prompting Santángel to question her ‘angel’ narrative.
  • Gracia de Valera
    Rival deemed fraudulent; her patron is linked to the attempted scorpion attack on Luzia.
  • Víctor de Paredes
    Santángel’s master; symbol of dynastic hunger for power and control that Santángel fears Luzia will face.
  • Concha
    Maid who lets Santángel into Luzia’s room and disappears to gossip, heightening Luzia’s fear of being overheard.
  • Padre Juan Baptista Neroni
    Named as the priest allegedly able to summon the devil; Santángel doubts such power is real.
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