Cover of All Fours

All Fours

by Miranda July


Genre
Fiction, Contemporary, Humor and Comedy
Year
2024
Pages
337
Contents

Chapter 11

Overview

The narrator and Davey's intimacy reaches its most radical and vulnerable extremes—including a tampon-changing scene that becomes their defining private ritual—but when their time runs out, Davey insists on a clean, permanent break rather than the ongoing relationship the narrator envisioned. The Arkanda meeting cancels, stripping away the narrator's only pretext for future escapes, and she drives home devastated, realizing she fundamentally miscalculated what this affair meant for their future.

Summary

The chapter opens with Davey sharing a gay sex dream about a high school classmate, Aaron Bannister. The narrator is moved by his openness, contrasting him with older men she's dated who would never admit to such dreams. They look up Aaron online, and Davey reveals he's somewhat bisexual—something Claire knows about. When the narrator shows Davey her first girlfriend, she breaks down crying unexpectedly.

Their physical intimacy deepens in unconventional ways while they continue to avoid intercourse. Davey states that kissing would inevitably lead to sex, so they don't kiss. Instead, the narrator impulsively catches Davey's urine in her hand, an act that surprises them both and becomes strangely intimate. Davey washes her hand with great tenderness. Later, in an extended scene of radical vulnerability, Davey insists on changing the narrator's tampon. She reluctantly agrees, and the act—awkward, bloody, deeply personal—becomes their defining intimate ritual, something they'll never share with anyone else.

As their final days together approach, the narrator assumes they'll plan how to continue seeing each other. But when she broaches the subject, Davey responds with silence and vagueness, signaling a disconnect in their expectations. On Saturday, the narrator calls Harris and convinces him she needs one more night in Monrovia before coming home. She and Harris negotiate school drop-off schedules, and the mundane logistics feel absurd to her after weeks of transcendent intimacy.

On her last morning, the narrator packs while preserving the room as a kind of shrine, hoping to return. She leaves money for Helen and dresses in the cream dress from her first real day with Davey. Then Liza calls with devastating news: Arkanda has canceled their meeting and left for Beijing for three months, eliminating the narrator's pretext for future trips away from home. The narrator realizes she has no reason to travel anywhere soon.

Davey arrives for their final meeting. Instead of the extended farewell and planning session the narrator envisioned, Davey treats the goodbye as brief and final. He advocates going "cold turkey"—no calls, no texts. The narrator is stunned, realizing she has fundamentally miscalculated. Davey calls the experience perfect and unrepeatable, then climbs out the window. The narrator, numb and devastated, wheels her bags to checkout. Skip immediately begins offering her renovated suite to a new couple. Helen, the housekeeper, calls out that she doesn't regret her own affair and would do it all the same. The narrator drives away in tears, watching Helen in the rearview mirror.

Who Appears

  • Narrator
    Protagonist devastated by Davey's insistence on a clean break; loses her Arkanda meeting and drives home in tears.
  • Davey
    The narrator's lover who shares radical intimacy but firmly ends the relationship, advocating cold turkey with no future contact.
  • Harris
    The narrator's husband, coordinating logistics for her return home and school drop-offs.
  • Liza
    The narrator's manager who delivers the news that Arkanda has canceled their meeting.
  • Helen
    Motel housekeeper who tells the departing narrator she doesn't regret her own past affair.
  • Skip
    Motel front desk worker who processes the narrator's checkout and immediately offers her suite to new guests.
  • Claire
    Davey's girlfriend, mentioned as aware of his bisexuality.
  • Arkanda
    The director whose sudden cancellation and departure to Beijing eliminates the narrator's professional pretext.
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