Cover of Witchcraft for Wayward Girls

Witchcraft for Wayward Girls

by Grady Hendrix


Genre
Horror, Paranormal, Young Adult
Year
2025
Pages
497
Contents

Overview

Fifteen-year-old Neva Craven is sent away in secrecy to Wellwood House, a Florida “Home for Unwed Mothers” where pregnant girls are renamed, isolated, and trained to be obedient “surrenders.” Cut off from family, stripped of information about their own bodies, and pressured into adoption, Neva—now called Fern—tries to survive by following rules that treat shame as discipline and control as care.

Inside the Home, Fern is pulled into uneasy friendships with the defiant Rose, the cautious and sharp Zinnia, and the silent, frightened Holly. When a bookmobile librarian quietly slips Fern a strange paperback about witchcraft, the girls discover a forbidden possibility: power that doesn’t require permission. But any power they grasp comes with costs, and the institution around them—staff, doctors, social workers, and the families waiting outside—pushes back hard.

Blending horror with dark social realism, the story explores bodily autonomy, coercion disguised as morality, the politics of motherhood, and what solidarity can look like when every official channel is designed to erase you.

Plot Summary ⚠️ Spoilers

Neva Craven, fifteen and six months pregnant, is driven from Alabama to Florida by her furious father, who treats her pregnancy as a family catastrophe to be hidden. On the punishing trip, Neva relives being abandoned by her boyfriend, Guy, and the way her parents shut her out of every decision. At a gas station, her father forces her to wear his wedding ring so strangers will assume she is married, making clear that appearances matter more than her safety.

They arrive at the Home for Unwed Mothers—Wellwood House—where Neva is processed by staff who enforce secrecy and shame. Miss Wellwood, the director, strips Neva of her identity, assigning her the name “Fern” and a fake hometown, and promises that total obedience will let her give up the baby, return home, and pretend nothing happened. Fern is placed in a room with Rose, a confrontational girl who refuses to be cowed, and Holly, a younger, silent girl with a birthmark who clings to a stuffed dog and seems neglected by everyone.

Fern learns the Home’s machinery: rigid schedules, controlled food and weight, moral lectures, and the constant push toward adoption. Dr. Vincent, the Home’s doctor, humiliates Fern with a rough exam. Immediately afterward, social worker Diane Keller persuades her to sign “surrender” papers, promising she will be drugged through birth and never have to face the baby. Fern signs under “Jane Doe,” seeing her father has already signed first.

Life at Wellwood is harsh and dehumanizing, and the girls are deliberately kept ignorant about labor. When Myrtle suffers a catastrophic, bloody labor in a bathroom, the staff remove her and publicly blame her disobedience, confirming to Fern that the adults lie and the girls are disposable. Fern’s isolation shifts when a new girl arrives late at night: Zinnia, a well-dressed Black teenager whose presence exposes racial tensions and the Home’s hypocrisies. Around the same time, Fern begins quietly bonding with Holly, who steals contraband and responds to small kindnesses.

During a bookmobile visit, Fern meets the librarian, Miss Parcae. Mrs. Deckle censors the girls’ choices, blocking anything that might teach them about sex or childbirth. When Fern asks for nonfiction on pregnancy, Miss Parcae instead demonstrates startling midwife skill by physically shifting Fern’s baby to relieve her pain. Before Fern leaves, Miss Parcae secretly slips her a thin paperback: How to Be a Groovy Witch.

Fern brings the book to Rose, Zinnia, and Holly. Skeptical but desperate, they try a “Turnabout” spell to transfer Zinnia’s constant vomiting onto someone else. They steal ingredients, use Zinnia’s blood on an egg, and plant a sachet containing hairs from Dr. Vincent inside his desk. When Fern times a clinic visit to test it, Dr. Vincent is suddenly overwhelmed by violent, uncontrollable vomiting—proof that the spell worked. Their brief triumph turns into frustration: the book is full of trivial charms and confusing rituals, and real power seems out of reach.

On a punishing Laundry Day, the girls encounter a huge black dog and are lured out at night to a moonlit river beyond the Home’s rules. There they swim and speak honestly about their pregnancies. Miss Parcae appears with identical black dogs and offers to teach them deeper witchcraft—but only in exchange for “eternal loyalty and complete obedience.” The girls initially resist. Then Holly breaks down and reveals the truth behind her terror: Reverend Jerry, the powerful founder of her church, has sexually abused her since childhood, and he plans to adopt her baby. “Going home” would mean returning to her abuser, and the adults at Wellwood will not protect her.

Determined to stop that outcome, the girls accept Miss Parcae’s initiation. By the river, they renounce God, reverse the Lord’s Prayer in a mangled chant, and sign Miss Parcae’s book in blood, focusing on a shared desire: Holly will not go back. Miss Parcae provides little guidance beyond insisting that power demands a price. The witch book itself begins to rewrite, adding new instructions as if answering their questions, which terrifies Zinnia. Meanwhile, Rose refuses to surrender her baby—until the system breaks her. Dr. Vincent and Diane force Rose to the hospital early, and Rose returns without her daughter, Blossom, admitting she was coerced into signing adoption papers under threat of the locked ward and a court declaring her incompetent.

Grief turns Rose toward vengeance. Following a black dog named Decima into the woods, Fern and Rose reach Miss Parcae’s hidden coven—women living on the run, guarded and distrustful, who speak of witch “lines” that carry inherited memories. Rose demands a spell to hurt the people who stole her child, and Miss Parcae agrees to teach her, separating Rose’s vengeful path from Fern’s goal of protecting Holly.

Back at Wellwood, Rose, Fern, and Holly perform a curse on Miss Wellwood, using a poppet linked to Wellwood’s belongings and paying a brutal price in blood and pain. The poppet burns into a fine brown powder, and after Rose leaves with her parents, Fern—torn between fear and loyalty—secretly gives Miss Wellwood the remaining dose in her coffee. Miss Wellwood grows volatile, then disappears from view. When Fern confronts Miss Parcae, she learns the spell is not meant to kill: it forces Miss Wellwood to experience what it was like to be Rose. Miss Parcae, dying of liver cancer, reveals she needs a successor to carry the coven’s “library” of living memory—and she intends to force Fern into becoming the next vessel in Hecate’s line.

Fern, Zinnia, and Holly seek help from Hagar Sunday, the Home’s hard-edged kitchen worker. Hagar burns the witch book, contains an unfinished storm spell in a knotted bottle, and tries to ward the house with silver and iron. The protections provoke retaliation: an unnatural storm builds into a rain of stones that shatters Wellwood and injures girls. When Miss Wellwood returns, she orders the wards removed and launches searches and crackdowns. Salt lines and Hagar’s protective red pouches briefly keep Miss Parcae out, but when Violet steals salt from the thresholds, Miss Parcae slips inside as Fern goes into early labor. Fern is rushed to the hospital, where her pouch is cut away and Miss Parcae appears again, trying to seduce her into surrendering her mind. Fern resists and gives birth under anesthesia. She is pressured to proceed with adoption; she briefly holds her newborn daughter and nearly changes her mind, but Diane warns her she will owe crushing medical fees if she keeps the baby. Fern chooses adoption, yet signs the birth certificate with her real name—N. Craven—rather than “Jane Doe.”

Returning to Wellwood hollowed out, Fern tries to disengage and go home, but Reverend Jerry arrives to claim Holly. On the eve of Fern’s departure, Holly goes into labor and refuses the hospital. Zinnia forces an escape by taxi to Hagar’s home, where Hagar and Miriam deliver Holly’s baby in a terrifying, obstructed labor and revive the newborn girl when she emerges limp. The victory lasts minutes: Nurse Kent, Dr. Vincent, Miss Wellwood, and police descend, seize the baby, and take Holly away. Fern is arrested.

Watching Reverend Jerry take Holly’s newborn, Fern breaks. She digs up the buried storm bottle, throws away her protective pouch, smashes the bottle, and mutilates her tongue to call Hecate with blood. After a dreadful delay, the storm explodes—devastating Wellwood and wrecking vehicles in the yard. In the aftermath, Miss Parcae confronts Fern to collect the “price.” Fern flees through the wreckage, finds Zinnia and Holly alive with the baby, and is cornered by the coven in the woods. Miss Parcae tries to force Fern to “carry the flame,” even summoning the Triple-Faced Goddess to overwhelm her consent. Fern refuses. Holly intervenes—attacking Miss Parcae and offering herself instead, choosing any monstrous transformation over returning to Reverend Jerry. The coven fractures, and the witches decide on mercy: they take Holly and her newborn into the woods, leaving Fern and Zinnia to be found by authorities and sent away, changed by what they survived and what they learned they could do.

Characters

  • Neva Craven (Fern)
    A fifteen-year-old forced into Wellwood House under a false name while pregnant; her initial plan to endure and surrender the baby collapses as she discovers coercion, friendship, and forbidden witchcraft. She becomes the central target of Miss Parcae’s succession scheme and ultimately defines her own power through refusal.
  • Zinnia
    A newly arrived pregnant girl whose presence exposes Wellwood’s racial tensions and whose skepticism anchors the group when magic turns predatory. She alternates between caution and fierce action as she tries to keep Holly and Holly’s baby out of Reverend Jerry’s reach.
  • Rose
    Fern’s defiant roommate who challenges Wellwood’s authority and briefly embodies the fantasy of keeping a baby and living free. After being coerced into surrendering her daughter, she turns to revenge and drags Fern deeper into the coven’s power and consequences.
  • Holly
    A younger, mostly silent resident whose vulnerability hides a clear-eyed understanding of her danger at home. Her disclosure of long-term abuse and her fight to keep her baby drive the group’s choices, culminating in her departure with the witches to escape returning to her abuser.
  • Miss Parcae
    The bookmobile librarian revealed as a witch leading a hidden coven, who tests the girls with a spellbook and demands obedience as the price of instruction. Dying of liver cancer, she tries to preserve the coven’s lineage by forcing Fern to become the next vessel for inherited memories and power.
  • Miss Wellwood
    The matron of Wellwood House who runs the Home through religion, surveillance, and punishment while presenting herself as moral authority. Targeted by the girls’ curse, she becomes both victim and enforcer as the institution’s violence escalates.
  • Diane Keller
    Wellwood’s social worker who frames adoption as redemption and uses money, fear, and “responsibility” to secure surrenders. She pressures Fern and Rose at pivotal moments and represents the system’s polished coercion.
  • Dr. Vincent
    The Home’s doctor whose dismissive, violating care enforces the girls’ powerlessness, from rough exams to controlling delivery timelines. He becomes an early target of the girls’ magic and later participates in reclaiming Holly and the newborn.
  • Nurse Kent
    A strict staff nurse who enforces Wellwood’s routines, escorts girls to the hospital, and helps maintain control during crises. She alternates between practical intervention and complicity, including participating in the pursuit that seizes Holly’s baby.
  • Hagar Sunday
    The intimidating kitchen worker who becomes an unexpected protector, shutting down the girls’ dangerous witchcraft and attempting practical wards against Miss Parcae. She also functions as a midwife, delivering Holly’s baby and openly breaking with Miss Wellwood when the truth about the preacher surfaces.
  • Miriam
    Hagar’s quieter sister and essential helper who supports warding efforts and childbirth work. Her steadiness and skill are crucial during Miss Wellwood’s hidden crisis and Holly’s perilous delivery.
  • Reverend Jerry
    The powerful church leader who has abused Holly for years and intends to adopt—and effectively claim—her baby. His presence exposes the failure of every “respectable” adult system meant to protect girls.
  • Mrs. Deckle
    A controlling staff administrator who polices rules, censors books, and manages the Home’s daily discipline. She embodies Wellwood’s bureaucratic surveillance, especially as the house tightens after the girls’ night escapes.
  • Guy
    Neva’s boyfriend and the father of her baby, whose rejection helps set Neva on the path to secrecy and institutional confinement. He remains a reference point for how completely Neva is abandoned by the world that judged her.
  • Neva's father
    The enraged parent who delivers Neva to Wellwood House to protect family reputation and then leaves without support. His obsession with appearances shapes Neva’s fear, shame, and longing to “go home” as if nothing happened.
  • Myrtle
    A resident whose terrifying, bloody labor becomes the moment the girls realize Wellwood’s reassurances about painless childbirth are lies. Her removal and scapegoating show how quickly the system discards girls who break the script.
  • Clementine (Clem)
    A resident who provides Fern glimpses of postpartum reality and the way girls disappear from each other’s lives after delivery. Her farewell underscores how Wellwood erases identities and connections.
  • Jasmine
    A resident who contributes to the Home’s social ecosystem—gossip, superstition, and small comforts—and is involved in moments like pendulum baby-sex predictions. She helps show how the girls grasp for meaning under confinement.
  • Decima
    One of Miss Parcae’s huge black dogs who repeatedly appears at the woods’ edge and guides Fern and Rose to the coven. The dog functions as a supernatural messenger constrained by protective boundaries like silver and salt.
  • Periwinkle
    A coven member who escorts Fern and Rose in the woods and later becomes a leading voice against Miss Parcae’s ruthless succession plan. She helps turn the coven toward mercy by centering consent and Holly’s choice.
  • Mags
    An elderly, disoriented witch described as burdened by inherited memories, used as a warning of what forced succession can do. She ultimately blocks Miss Parcae physically, helping prevent Fern’s coercion from being repeated.
  • Dolores
    A prim coven elder who explains the idea of witch “lines” and the coven’s worldview of persecution. She initially supports the existing order before witnessing the coven’s split over Miss Parcae’s plan.
  • Little Robin
    A younger witch who helps encircle Fern during the confrontation and then joins the dissent against Miss Parcae. Her presence emphasizes the coven as a community capable of changing its rules.
  • Joy
    A coven member tied to Dolores who affirms the lineage concept and later supports rejecting Miss Parcae’s coercion. She contributes to the coven’s decision that preserving tradition is not worth breaking girls.
  • Dr. Jensen
    The hospital obstetrician who delivers Fern’s baby with forceps and an episiotomy while dismissing Fern’s fears. His clinical cruelty reflects how institutional medicine reinforces the same control Wellwood preaches.
  • Darius
    The cab driver whose ride becomes the pivot point in Holly’s attempted escape from the hospital system. Pressured by Fern and Zinnia, he drives them to Hagar’s home, enabling Holly’s off-grid delivery.
  • Violet
    A newer resident whose theft of protective salt weakens Wellwood’s defenses at a critical moment. Her action enables Miss Parcae’s entry into the house as Fern goes into labor.

Themes

Witchcraft for Wayward Girls reads as a horror novel about magic, but its deepest terror is institutional: the way a society can make girls disappear while insisting it’s for their own good. Across Wellwood House, Hendrix turns pregnancy into a battleground where power is exercised through paperwork, food, medicine, and language.

  • Control of bodies, control of stories. Miss Wellwood’s rules—no real names, no pasts, censored mail (Chs. 3–4)—erase identity as thoroughly as the adoption process erases maternity. Dr. Vincent’s invasive exam (Ch. 5) and the forced induction and sedation of Rose (Ch. 16) show medicine as coercion. Even the “Jane Doe” signature (Ch. 5) becomes a ritual of self-annihilation—later resisted when Fern signs “N. Craven” (Ch. 30), insisting on a trace that cannot be sanitized.
  • Shame as a technology of obedience. Neva’s father weaponizes disgrace (Ch. 1), the Home reframes pregnancy as “sin and punishment” (Ch. 3), and the girls learn to police one another with gossip and rationed privileges (Chs. 4, 6). The liver shake punishment (Ch. 8) is emblematic: humiliation disguised as “health.”
  • Solidarity as counter-magic. The book’s most radical “spell” is mutual care: Rose’s “Solidarity” gesture (Ch. 8), Fern’s alliance with Holly (Ch. 7), and the improvised birth team at Hagar’s house (Chs. 32–34). These moments expose that survival depends on girls believing each other when adults won’t—especially in Holly’s revelation of abuse (Ch. 14).
  • Knowledge as forbidden power. The bookmobile scenes (Ch. 9) make information itself contraband, and Miss Parcae’s midwife touch and illicit paperback awaken Fern’s hunger to understand her own body. Yet the shifting spellbook (Chs. 15–16) warns that “knowledge” can also be predatory: instruction offered only in exchange for submission.
  • Ambiguous empowerment: revenge versus mercy, consent versus tradition. Witchcraft initially feels like justice—Turnabout punishes Dr. Vincent (Ch. 10)—but Rose’s curse on Miss Wellwood (Ch. 19) and its grotesque consequence (Ch. 22) show power “metastasizing” when driven by pain. The climax reframes the central ethic: Fern’s repeated “No” (Ch. 36) makes consent the final, unstealable autonomy, while the coven’s choice to prioritize mercy over lineage breaks the cycle of inherited harm.

By the end, the horror is not that girls might become witches, but that adults fear what happens when girls stop accepting the story written for them.

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