Chapter One

Contains spoilers

Overview

At a lavish send-off party on Coronado Island in May 1966, Frances "Frankie" McGrath watches her older brother, Finley, prepare to leave for military service in Vietnam. Amid family expectations and privilege, Frankie meets Finley’s best friend, Rye Walsh, whose comment that "women can be heroes" unsettles and expands her view of her own future. The night ends on the beach, where Frankie confronts her fear about Finley’s deployment and hears his assurances despite his own hidden anxiety.

Summary

At the McGrath family’s walled estate on Coronado Island, a formal party is held to celebrate Finley McGrath’s departure for service. The scene is elegant and controlled, reflecting the values of Bette and Mr. McGrath, who prize propriety, status, and the family’s tradition of military pride. Twenty-year-old Frankie circulates anxiously, waiting for Finley, feeling the pressure to appear composed.

Finley arrives late and drunk with his best friend, Rye Walsh, and a group of friends. Bette McGrath greets them with polished restraint. Mr. McGrath halts the music to toast Finley, leaning into his self-made, military-proud persona despite his own 4-F history, and the crowd applauds the beloved but unruly golden boy. Feeling out of place, Frankie retreats into her father’s office, where a wall of family military memorabilia underscores the family’s male-centric narrative of heroism.

Rye enters the office to smoke and finds Frankie there. They share a quiet moment, and Rye challenges the wall’s absence of women by saying that women can be heroes. The intensity of his conviction and gaze jolts Frankie, planting a new idea about what women could do, in stark contrast to the narrow expectations set by her upbringing and schooling.

As the party winds down, Frankie wanders to Coronado Beach, reflecting on Rye’s words and the limits imposed on women—teacher, nurse, secretary—and on her mother’s belief that nursing is merely a prelude to marriage. She wonders how a woman might claim a larger life without invitation or precedent.

On the beach, Frankie sees Rye and others horsing around at the water’s edge. Finley joins her and they reminisce about their shared childhood by the sea. When Frankie asks if he should go to Vietnam, Finley deflects with JFK’s famous exhortation and insists his naval assignment will be safe, echoing the era’s public narrative about stopping communism and the sanitized images on the nightly news.

As Finley puts an arm around Frankie and calls her “Peanut,” his voice catches, revealing his own fear. Frankie can no longer deny the risk he faces. The chapter closes with her acute realization that her brother is going to war, and that nothing about it feels safe.

Who Appears

  • Frances "Frankie" McGrath
    protagonist; 20-year-old nursing student, grapples with expectations and newly awakened ideas about women’s heroism; worries about Finley’s deployment.
  • Finley McGrath
    Frankie’s older brother; charismatic “golden boy” leaving for service in Vietnam; outwardly confident but privately afraid.
  • Joseph Ryerson "Rye" Walsh
    Finley’s best friend; suggests that women can be heroes, catalyzing Frankie’s shift in perspective; attends the party.
  • Bette McGrath
    Frankie’s mother; composed, status-conscious, upholds traditional gender roles and propriety.
  • Mr. McGrath (Frankie’s father)
    self-made real estate developer, military-proud despite 4-F status; toasts Finley and embodies the family’s martial legacy.
  • Party guests and friends
    community members who celebrate Finley’s departure and reflect social norms of the time.
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