After a bath, Feyre sits by the fire while Alis brushes her hair and forces hot chocolate on her. Feyre asks about rising attacks and possible war; Alis shuts her down, condemns the Suriel trap and the earlier puca mistake, and reveals her sister and mate were murdered, leaving two boys she now supports. Alis explains High Fae fertility and slow aging of children, then says a new robe would have lured the Suriel better than bait.

At dinner with Lucien and Tamlin, Feyre resolves not to cower. Lucien offers a strained apology and gleefully reveals that faeries can lie and that iron is harmless, forcing Feyre to reassess everything she has been told. Tamlin counters that they have not willingly lied to her.

After Lucien leaves, Tamlin presses about the afternoon. Feyre admits she sought the Suriel; Tamlin, startled and grudgingly impressed, refrains from anger. He produces her crumpled list of unfamiliar words, teasing her and exposing her humiliation. When she tries to leave, he acknowledges her sacrifices for her family, offers help, and then friendship, praising her courage and skill.

Tamlin shares that faeries once fought beside humans in the war. He then reveals he glamoured her family’s memories so they believe a wealthy aunt summoned her, know she is safe, and will run at the first hint of danger across the wall. Feyre realizes he has solved what her letter might not have, easing her fear even as it leaves her uncertain about her purpose.

Feeling a spark of possibility, Feyre asks for paint and brushes. Tamlin readily agrees and adds canvas and workspace anywhere she likes, then invites her to see the long-closed manor gallery in two days after it is cleaned. She accepts, and their shared smiles mark a warming bond as she departs.