Life of Pi
by Yann Martel
Contents
Chapter Ninety Nine
Overview
Okamoto and Chiba openly reject Pi Patel’s lifeboat tale as implausible, pushing him to provide “straight facts” about the Tsimtsum and mocking elements like the banana raft, the carnivorous island, and the tiger. Pi responds by offering a second, animal-free version in which a French cook murders Pi’s mother and Pi kills the cook, revealing a brutal human reality beneath the earlier allegory.
The officials map the two stories onto each other and admit neither account explains the ship’s sinking, leaving the investigation unresolved. Asked which version they prefer, they choose the story with animals, and Pi ties that preference to belief in God, ending the interview with his plan to start over in Canada.
Summary
In the Mexican hospital interview, Mr. Okamoto and Mr. Chiba challenge Pi Patel’s account, starting with the claim that an orangutan floated in on bananas. Pi insists on testing it, and the officials verify in a sink that bananas float, though Mr. Okamoto argues they could not support an orangutan. The investigators then press Pi on the “impossible” algae island and the tiger, while Pi argues that disbelief is just limited experience and that “hard to believe” is part of life, love, and faith.
As the officials grow frustrated that nothing about the lifeboat story can be confirmed—especially the tiger and the blind Frenchman—Pi defends the plausibility of extraordinary events and mocks the demand for only tidy, familiar facts. Mr. Okamoto reminds Pi the goal is not to blame him but to understand why the Tsimtsum sank. When they ask for “straight facts,” Pi points out that any telling becomes a story, then offers to give them what they want: a version “without animals.”
Pi’s second story describes four human survivors: Pi, Pi’s mother, a Taiwanese sailor with a shattered leg, and a brutal French cook from the Tsimtsum. The cook steals food, urges extreme measures, and pushes an “amputation” of the sailor’s infected leg; the sailor dies soon after and the cook butchers the body for food. Pi’s mother resists, is horrified by the cook’s cannibalism, and finally slaps him—an act that escalates the hostility that has been building as conditions worsen.
As starvation deepens, the cook kills Pi’s mother during a fight, and Pi watches helplessly from the raft. The next day Pi returns to the lifeboat, and later kills the cook with a knife, admitting the violence and moral damage it leaves in him; afterward, solitude begins and Pi turns to God to endure and survive. The officials recognize correspondences between the two accounts: the sailor aligns with the zebra, Pi’s mother with the orangutan, the cook with the hyena, and Pi with the tiger who kills the hyena.
Mr. Okamoto and Mr. Chiba confirm that neither version explains the Tsimtsum’s sinking, and Pi cannot offer mechanical causes beyond impressions of listing, an explosion, stormy seas, and a rapid sinking. Asked which story they prefer, both officials choose the story with animals, and Pi replies, “And so it goes with God,” linking narrative choice to faith. The interview ends with condolences, mention of insurance money, Pi’s intention to go to Canada, and a final exchange of cookies and farewells.
Who Appears
- Pi PatelSole survivor; defends his animal story, tells a brutal human alternative, argues belief and narrative choice.
- Mr. OkamotoJapanese investigator; challenges Pi’s credibility, seeks facts about the sinking, prefers the animal story.
- Mr. Chiba (Atsuro)Japanese investigator; alternates skepticism and humor, helps decode parallels, chooses the animal story.
- Richard ParkerTiger in Pi’s first account; discussed skeptically and identified as Pi’s counterpart in the second story.
- Pi's motherAppears in Pi’s second story; protects the sailor, confronts the cook, and is killed.
- The French cook (Tsimtsum)Villain in Pi’s second story; steals rations, butchers the sailor, kills Pi’s mother, is killed by Pi.
- Taiwanese sailorInjured survivor in Pi’s second story; leg amputated, dies, body butchered for food.
- Blind Frenchman (castaway)Mentioned in questioning; officials compare his confession to the violence in Pi’s second story.