Hazel and Kelty are three hours into their drive and stop for petrol before heading to Rougemont Castle.
Kelty is grateful for having slept through the journey, avoiding the dull scenery and a break from her child, Midge.
Hazel describes the picturesque countryside they've passed, with Hazel shown to have a penchant for storytelling.
At Northernhay Gardens, near Rougemont Castle, they set up a picnic and discuss Hazel's childhood home.
Hazel reminisces about trying to describe the white and gray stones of her old home, using poetic imagery.
Kelty reflects on the power of fairy tales and magical lands, indicating they were necessary escapism.
Hazel brings up the history of Rougemont Castle, where the Devon witches trials took place, and that the last executions for witchcraft in England happened in 1680.
Kelty wonders about Harry's current appearance, leading to a nostalgic exchange between the two women.
They continue their drive to St. Ives, taking in the beauty and silence of the countryside.
Upon arrival, they are struck by the beauty of St. Ives, with its seaside setting and historic structures like the Sloop Inn.
Arriving at Sloop Inn, they decide to check in, unpack, have a drink, and then look for Harry.
Hazel and Kelty unpack and meet at the café, each complementing the other on their appearance and clothes.
Kelty reveals that she has learned the location of Harry Aberdeen's studio from a waitress, which is close by on Fore Street.
The manager and waitress have contrasting opinions on the artist colony, reflecting the community’s mixed views.
Despite Hazel's anticipation of a difficult search, they find Harry's studio location with ease and plan to visit.