Cover of Isola

Isola

by Allegra Goodman


Genre
Historical Fiction, Fiction, Biography
Year
2025
Pages
360
Contents

Overview

Isola by Allegra Goodman tells the story of Marguerite de la Rocque, a young French noblewoman orphaned in childhood and left heir to a Périgord château. Raised by her devoted nurse Damienne and tutored alongside the pious Claire D'Artois, Marguerite is shaped by quiet study and friendship until her absent guardian, the ambitious Jean-François de Roberval, returns to claim her fate. A King's confidant and would-be conqueror, Roberval squanders her inheritance on failed voyages and ultimately compels her to accompany him on an expedition to New France.

Set in the sixteenth century, the novel follows Marguerite from cloistered girlhood through dependency, forbidden love with Roberval's secretary, and a perilous Atlantic crossing. Goodman explores themes of guardianship and power, faith and doubt, female friendship, and the cost of survival. Marguerite's voice—curious, willful, increasingly clear-eyed—anchors a story about a young woman who must learn to claim agency in a world arranged against her, where men's ambitions, religious tensions, and the unmapped wilderness all threaten to consume her. The premise draws on a haunting historical episode while focusing on questions of conscience, courage, and what it means to make a life of one's own.

Plot Summary ⚠️ Spoilers

Marguerite, a nine-year-old orphan and heiress to a wealthy Périgord château, lives under the care of her nurse Damienne when her guardian Jean-François de Roberval—her father's cousin and a famous voyager—visits for the first time. He inspects her coldly, leaves money for her education, and departs to sea. Over the following years, Marguerite is joined by the widow Jacqueline D'Artois and her accomplished daughter Claire, who become her teachers and companions. Marguerite, initially jealous of Claire's gifts, disciplines herself to match them, and the two girls become close friends.

As Marguerite grows, Roberval's ventures fail. He mortgages and eventually sells her estate to the wealthy Montfort family to fund his speculations, displacing the household to a cold north tower. The Montfort son Nicholas pursues Claire dishonorably until a riding accident kills him. On the same day, Roberval summons Marguerite to La Rochelle, allowing only Damienne to accompany her. Claire and Madame D'Artois have secretly arranged to remain teaching the Montfort daughters, and Marguerite leaves feeling betrayed.

In La Rochelle, Marguerite meets Roberval's quiet, dark-eyed young secretary, who shows her a map of New France marked with islands labeled Isola. Roberval, named Viceroy of New France and charged with founding Catholic colonies, vacillates between charm and cruelty, eventually announcing he will take Marguerite with him on his expedition. When Marguerite secretly writes to Madame D'Artois begging refuge, the maid Alys betrays her; Roberval intercepts the letter and torments her with a psalm lesson. Resigned, Marguerite and Damienne board the ship Anne.

At sea, the secretary—Auguste Dupré—reveals his orphaned past and confesses he has loved Marguerite since first seeing her as a child. They begin meeting secretly at night. Roberval, jealous and possessive, tightens his grip, ordering brawling sailors hanged, preaching against lustful sinners, and interrogating Damienne. When the fleet reaches the Gulf of Saint Lawrence and Roberval briefly leaves the ship, Marguerite and Auguste consummate their love. Roberval returns, intercepts a glance between them, and erupts. After Cartier escapes in the night, Roberval condemns Marguerite, Auguste, and the innocent Damienne to be marooned on a barren island.

The navigator Jean Alfonse mercifully selects an inhabitable island and offers parting hope of rescue. The three castaways build a crude shelter, hunt fearless seabirds, find fresh water, and gradually establish routines. Damienne keeps house and faith; Auguste hunts and fashions a calendar; Marguerite plants a doomed garden. They glimpse passing native boats and retreat to a hidden granite cavern, fortifying it as their home. Marguerite eats forbidden berries and is revealed to be pregnant.

Winter descends with brutal severity. Auguste falls ill with fever and a swollen belly; before dying, he forces Marguerite to learn to load and fire the arquebus. He dies in her arms. The frozen ground prevents burial, and a white bear digs up his body and devours it. In rage, Marguerite shoots and beheads the bear. Marguerite gives birth to a son she names Auguste, but starvation leaves her without milk, and the baby dies. She buries him inside his father's broken cittern.

When Roberval's three ships pass the island the following summer and ignore her signals, Marguerite recognizes his deliberate betrayal. She resolves to live for Damienne's sake. The two women sustain themselves through hunting, fishing, and salt-harvesting, and Damienne shares her own past for the first time. A festering knife wound takes Damienne's life, leaving Marguerite utterly alone.

Marguerite sinks toward suicide, walking onto the frozen sea, but a white fox blocks her path and leads her back. A second white bear attacks her cave; she kills it and reclaims her will to live. Witnessing waves freezing as they break, she experiences a renewal of faith. The next summer, twelve Basque fishermen land on her island. Mistaken for a nun, she wins their trust through prayer and hunting, then bribes Captain Aznar with gold to take her aboard.

The voyage home is harrowing: a storm capsizes the sister vessel and drowns six men, but Marguerite's boat survives, and the crew credits her prayers. They reach La Rochelle, where she finds Jean Alfonse absent and is thrown from his door, declared dead by all who knew her. Disguised as a servant, she journeys ten days to Périgord, where Claire finally recognizes her by the returned signet ring and embraces her.

Welcomed home by Claire and Madame D'Artois, Marguerite gradually reveals a partial version of her story. The Montforts return; Lady Katherine, captivated, presents Marguerite to Queen Marguerite of Navarre during a royal visit. Roberval, present at court, has already poisoned the well by giving the Queen a sanitized account in which his men rescued Marguerite. Risking royal displeasure, Marguerite contradicts the Queen and tells her true story—Auguste, the bear, the lost child, the Basque rescuers. Moved, the Queen grants Claire's convent dowry and a casket of gold to found a school for girls, with a royal charter.

Claire refuses the convent and joins the school instead. Marguerite rebuffs a final extortion attempt by Roberval's messenger, and the three women depart Périgord for Nontron to begin their school, where Marguerite intends to teach girls scripture, music, and—through her own story—how to live unafraid.

Characters

  • Marguerite de la Rocque
    The orphaned heiress narrator; willful and curious from childhood, she is shaped by her education with Claire, betrayed and marooned by her guardian, and ultimately survives island exile to claim a future founding a school for girls.
  • Damienne
    Marguerite's elderly nurse and surrogate mother; pious, fearful of the sea, and fiercely loyal, she follows Marguerite into exile out of a promise to her dying mother and dies on the island from a festering wound.
  • Jean-François de la Rocque de Roberval
    Marguerite's guardian, a King's friend and would-be conqueror appointed Viceroy of New France; he squanders her inheritance, takes her to sea, and maroons her with her lover and nurse out of jealous, possessive cruelty.
  • Claire D'Artois
    Marguerite's pious, accomplished friend and chosen sister; her quiet faith and devotion endure across years of separation, and she ultimately joins Marguerite in founding a school rather than entering a convent.
  • Madame Jacqueline D'Artois
    Claire's widowed, learned mother and Marguerite's tutor; once exiled from Queen Marguerite's court over the poet Marot, she shelters Marguerite on her return and helps establish the school at Nontron.
  • Auguste Dupré
    Roberval's young secretary, an orphaned boy raised by chance into his master's household; he loves Marguerite from afar, becomes her secret husband in spirit, and dies of illness on the island after teaching her to survive.
  • Jean Alfonse
    The Portuguese navigator on Roberval's expedition; a sober, learned man who quietly protects Marguerite, insists on a habitable island for her exile, and offers hope of rescue.
  • Jacques Cartier
    The bold French captain whose tales of New France inspire Roberval's expedition; he abandons his failed colony and slips away from Roberval's fleet in the night.
  • Alys
    A cheerful, freckled kitchen maid in La Rochelle who befriends Marguerite, smuggles her to see the harbor, but later betrays her secret letter to Roberval.
  • Marie
    A timid young maid first in Roberval's household, later in Jean Alfonse's; she recognizes Marguerite on her return but cannot help her openly.
  • Henri
    Roberval's thickset livery-clad messenger who escorts Marguerite to La Rochelle and later returns to extort funds for his master, which Marguerite refuses.
  • Nicholas Montfort
    The handsome, arrogant elder Montfort son who pursues Claire dishonorably and dies after a riding accident, freeing the household from his threat.
  • Suzanne Montfort
    A clever Montfort daughter and devoted pupil of Marguerite and Claire; her continued lessons and affection later help anchor Marguerite's reentry into society.
  • Ysabeau Montfort
    The youngest Montfort daughter and a pupil of Marguerite and Claire; she eagerly demands stories of the island and grieves at her teachers' departure.
  • Lady Katherine Montfort
    Mistress of the château and stepmother to the Montfort daughters; captivated by Marguerite's tale, she presents her to Queen Marguerite and aids her departure to Nontron.
  • Louise Montfort
    Lady Katherine's calm, refined stepdaughter; she helps dress Marguerite for the royal audience and promises to spread her story.
  • Anne Montfort
    Lady Katherine's bold, recently widowed stepdaughter; fascinated by Marguerite's bear claw, she tries unsuccessfully to buy it as a curiosity.
  • Queen Marguerite of Navarre
    The learned royal sister of the King; she has written a sanitized version of Marguerite's story from Roberval's account but, moved by the truth, grants Claire's dowry and a charter and gold for a girls' school.
  • Aznar
    The bald, strong Basque captain whose fishing crew rescues Marguerite from the island; navigating by stars, he accepts her gold and brings her back to La Rochelle.
  • Mikel
    A burly Basque fisherman who serves as Marguerite's French interpreter; he escorts her ashore in La Rochelle but turns suspicious when she is rejected at Jean Alfonse's door.
  • Clément Marot
    The Reformist poet and psalm translator; Roberval's protégé and once Madame D'Artois's suitor, his exile underlies the Queen's lasting coolness toward Claire's mother.

Themes

Allegra Goodman's Isola is, on its surface, the story of a sixteenth-century noblewoman marooned on a barren island in the Gulf of Saint Lawrence. Beneath that survival narrative, however, the novel meditates on power, voice, faith, and the stubborn labor of selfhood in a world that treats women as property.

Inheritance, Property, and the Powerlessness of Women. From the opening chapters, Marguerite is defined by what she owns and what is taken from her. Her château, her ruby ring, her dowry, and finally her own person pass through Roberval's hands as he mortgages, sells, and eventually exiles her to fund his ambitions. The motif of rings—her mother's ruby, Claire's gold signet from the Queen of Navarre—tracks her shifting identity: lost, exchanged, recovered. Even her rescue is transactional, purchased with gold coins from Basque fishermen. The novel insists that for women of Marguerite's era, survival is inseparable from negotiation.

Sisterhood and Surrogate Motherhood. Goodman repeatedly contrasts biological absence with chosen kinship. Marguerite's mother is dead; Damienne, Madame D'Artois, Claire, and even the painted Virgin become substitute mothers and sisters. Damienne's death on the island is the novel's quietest devastation precisely because she has been Marguerite's true parent. The closing image—three women riding together to found a school—reaffirms that female community, not marriage or bloodline, is what sustains a life.

Faith Tested by Wilderness. The island strips Marguerite of inherited piety and forces her to rebuild belief from scratch. Marot's Psalms, given by Roberval as cruelty, become genuine companions; the Virgin's painted image cracks even as Damienne's faith deepens. Marguerite oscillates between rage at God's silence and awe at frozen waves shattering on stone. Goodman refuses easy redemption: faith, like fire, must be tended daily.

Storytelling and the Authorship of One's Life. A central tension drives the final chapters: who gets to tell Marguerite's story? Queen Marguerite has already written a sanitized version supplied by Roberval, casting Marguerite as a pious wife fighting lions. Marguerite's act of contradiction—insisting on white bears, abandonment, a dead child—is the novel's moral climax. To survive twice, she must wrest narrative authority from powerful men.

Cruelty, Cultivation, and the Garden Motif. Roberval embodies refined cruelty: he teaches psalms while twisting arms, gives gifts that are traps. Against him, Goodman sets images of cultivation—Marguerite's failed island garden, the Montforts' rose garden, and finally the school at Nontron. What cannot be grown in thin peat may yet flourish in fertile ground.

  • Recurring motifs: rings as identity; instruments (virginal, cittern) ruined by salt air, signaling beauty's fragility; white animals (fox, bear) as ambiguous omens; Isola itself—the island as both prison and the only place Marguerite becomes wholly herself.
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